The ferrotype and how to make it - The Grian Press
The ferrotype and how to make it - The Grian Press
The ferrotype and how to make it - The Grian Press
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92 THE FERROTYPE.<br />
not felt the action of light, remain as opaque as<br />
before exposure, <strong>and</strong> w<strong>it</strong>h very l<strong>it</strong>tle if any change<br />
of color, remaining in the same state as when<br />
taken from the bath, that is, iodide of silver ;<br />
but the image, which now st<strong>and</strong>s out plainly, ia<br />
composed of metallic silver in the light <strong>and</strong> in-<br />
termediate part, <strong>and</strong> iodide of silver in the shad-<br />
ows. If the plate is now immersed in a solution of<br />
cyanide of potassium (which is a powerful solvent<br />
of the iodide of silver), <strong>it</strong> will at once be dissolved<br />
<strong>and</strong> removed, leaving the image, which is in the<br />
light parts metallic silver, in the dark parts the<br />
black surface of the plate s<strong>how</strong>ing through the col-<br />
lodion film; so that the action of light in the<br />
camera is <strong>to</strong> produce on the surface of the sens<strong>it</strong>-<br />
ized plate, an image of the object in focus in<br />
metallic silver, which serves as a basis upon<br />
which <strong>to</strong> depos<strong>it</strong> more metallic silver in the pro-<br />
cess of development. And as metallic silver in<br />
this process will not depos<strong>it</strong> <strong>it</strong>self except upon a<br />
metallic surface, we can easily underst<strong>and</strong> why an<br />
image may not be developed upon an under ex-<br />
posed plate, as the exposure will not have been<br />
of sufficient duration <strong>to</strong> have formed a basis. An<br />
over-exposure, in like manner, will have destroyed<br />
the proper gradations by extending the primary<br />
change in<strong>to</strong> the shadows.<br />
<strong>The</strong> development of the latent image comes<br />
second only in importance <strong>to</strong> the posing <strong>and</strong><br />
lighting of the subject prepara<strong>to</strong>ry <strong>to</strong> the ex-<br />
posure of the plate, <strong>to</strong> which I concede the first