The ferrotype and how to make it - The Grian Press

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Ferrotype Outfits. We detail a few outfits for the benefit of those who are unacquainted with the necessary apparatus and supplies. FERROTYPE OUTFIT D FOR $60. For 4 or 8 on 5 X 7 plate, with 4 tuljes, and i or 2 on 5 x 7 plate, with one tube. 15x7 Victoria Camera, fitted with 4 1-4 Tubes. I ^ E. A. Portrait Lens. 50 10 x 14 Ferro. Plates. 500 No. II Envelopes. 1 Iron Center Camera Stand. 2 >^-pint Glass Funnels. I Effective Collo. Vial. I 3-0Z. Graduate. I Alcohol Lamp. I box Dry Colors and Brushes. Yz pint jar Professional Paste. J I -in. Paste Brush. I Quill Duster. I 7 x 10 Glass Bath. I No. 5 Rubber Dipper. I pint Silver Bath Solution. I Lot Sundries, as follows : -I tall Centennial Head Rest. 3^ lb. New Ferro Collo. I lb. Acetic Acid. I lb. Iron. I pint Alcohol. }l lb. Cyanide Potass. 1 bottle Diamond Varnish. 2 oz. Absorbent Cotton. I copy " Estabrooke's Ferrotype Manual." FERROTYPE OUTFIT E FOR $87.50. For making 4 or 8 on 5 x 7 plate, with four tubes and single pictures from 8 x 10 to 3X x 4X, or two on 8 x 10, with one lens. I 43 C Portrait and Gem Camera, fitted with 4 % Tubes. i6>^x8>4E. A. Portrait Lens. 50 10 X 14 Ferro. Plates. 500 No. II Envelopes. I 9 X 12 Glass Bath. I No. 5 Rubber Dipper. I quart Silver Bath Solution. I Lot Sundries, same as in Outfit D. The Anthony & Scovill Company^ NEW YORK.
The Ascot Carrier with Ground. '-^^jj A thoroughly practicable carrier, made with specialreference to where compactness and price are important. This carrier is made with socket joints, and may be taken apart and packed away in very small compass. It is fitted with a background sV^l ^^et square, on a best quality Hartshorn Roller, which keeps ground in perfect condition, and is a most valuable accessory to the amateur. Carrier complete, with ground $5 o^ MANUFACTURED BY The Anthony & Scovill Company, NEW YORK.
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PUBLISHERS' PREFACE. We do not feel
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PUBLISHERS' PREFACE TO THE FOUKTH E
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POSITIVE PHOTOGEAPHY. 13 made the F
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POSITIVE PHOTOGRAPHY. 15 libraries,
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POSITIVE PHOTOGRAPHY. 17 exposure s
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POSITIVE PHOTOGRAPHY, 19 ploy agent
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POSITIVE PHOTOGRAPHY. 21 that gentl
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THE FERROTYPE. 23 as a vehicle for
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THE FERROTYPE. 25 the meeting of th
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THE FERROTYPE GALLERY. 27 artist—
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THE GLASS ROOM. 29 shape and exposu
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THE GLASS ROOM. 31 " Combined " lig
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THE GLASS ROOM. 33 light, liowever
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THE GLASS ROOM. 36 and side light ;
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THE GLASS ROOM. 37 wood. (A good de
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THE GLASS ROOM. 39 Tliere should be
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THE GLASS ROOM. 41 and lias sold th
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THE GLASS ROOM. 43 are those made b
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THE GLASS ROOM. 45 the small or Gem
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THE GLASS ROOM. til they indeed bec
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THE GLASS ROOM. 49 ited in the choi
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THE DARK ROOM. 51 with alcohol. Set
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Developing Solution : THE DARK ROOM
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THE DARK ROOM. 55 water-tight. Afte
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THE COLLODIO>\ 57 tion to give, in
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COLLODION. 59 the same time perfect
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COLLODION. 61 Those that are genera
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COLLODION. 6;j "Double Iodides, 5 t
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COLLODION. 65 way without injury, e
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COLLODION. 67 can not be diminished
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8ILVEB. 69 CHAPTER YIl. SILVER. J "
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SILVER. 71 The different salts of s
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SILVER. 73 a metallic powder—with
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SILVER. 75 plosive force may be obt
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SILVER. 77 bath it is always best t
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SILVER. 79 through the solution. Fr
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SII.VER. e or iodide of silver they
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SILVER. 83 mouth bottle, and can be
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SILVER. 85 are varnished, and the b
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DEVELOPEE AND DEVELOPMENT. 87 The a
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DEVELOPER AND DEVELOPMENT. 89 moved
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DEVELOPER AND DEVELOPMENT. 91 or as
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DEVELOPER AND DEVELOPMENT. 93 place
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DEVELOPER AND DEVELOPMENT. 96 not b
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DEVELOPER AND DEVELOPMENT. 97 heat
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DEVELOPER AND DEVELOrMKN f. 99 paii
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DEVELOPER AND DEVELOPMENT. 101 salt
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THE COLLODION PROCESS. 103 the samp
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THE COLLODION PROCESS. 105 firm and
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THE COLLODION PROCESS. 107 some obj
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THE COLLODION PROCESS. 109 drapery.
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THE COLLODION PROCESS. Ill panied b
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THE COLLODION PKOCESS. 113 having s
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FOG. . 115 they are of the class of
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Foa. 117 What we call " Fog/' is a
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FOG. 119 black spots on the plate w
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FOG. 121 image upon which will not
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COMPOSITION AND ILLUMINATION. 123 C
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COMPOSITION AND ILLUMINATION. 125 k
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COMPOSITJON AND ILLUMINATION. 127 f
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Page 135 and 136: COMPOSITION AND ILLUMINATION. 131 h
Page 137 and 138: DEVELOPER AND DEVELOPMENT. 133 the
Page 139 and 140: DEVELOPER AND DEVELOPMENT. 135 comp
Page 141 and 142: ! DEVELOPER AND DEVELOPMENT. 137 As
Page 143 and 144: DEVELOPER AND DEVELOPMENT. 139 acqu
Page 145 and 146: VIGNETTES, MEDALLIONS, ETC. 141 CHA
Page 147 and 148: VIUJSETTES, MEDALLIONS, ETC. 143 be
Page 149 and 150: VIGNETTES, MEDALLIONS, ETC. 145 equ
Page 151 and 152: VIGNETTES, MEDALLIONS, ETC. 147 der
Page 153 and 154: THE JSrOI^-REYEESED FERROTYPE, POSI
Page 155 and 156: AUTHOR'S PREFACE. Each copy of the
Page 157 and 158: NON-HEVERSED FEKKOTYPES. 163 NON-RE
Page 159 and 160: NON-REVERSED FERROTYPES. 155 been l
Page 161 and 162: NON-REVEESED FERROTYPES. 157 ities
Page 163 and 164: KON-KEVEESED FERROTYPES. 159 exposu
Page 165 and 166: NON-REVERSED MEDALLION FERROTYPE. 1
Page 167 and 168: NON-EEVERSED MEDALLION FERROTYPE. 1
Page 169 and 170: CONCLUSION. 165 rich, velvety black
Page 171 and 172: CONCLUSION. 167 Prisms, referred to
Page 173 and 174: author's addenda. 169 AUTHOE'S ADDE
Page 175 and 176: THE FEKROTYPE. TABLE FOR ENLARGEMEN
Page 177: THE FERROTYPE. >A/'EIGHTS AND MEASU
Page 180 and 181: ANTHONrs Itm Ferrotppc Collodion Ex
Page 182 and 183: 5x7 IMPROVED VICTORIA CAMERA. For m
Page 186 and 187: Climax Portrait and Gem Camera (No.
Page 188 and 189: CLIMAX QNCINNATI GEM CAMERA. FITTED
Page 190 and 191: THE KNICKERBOCKER STAND. The Acme T
Page 192 and 193: Photographic Card and Ferrotype Pla
Page 194: For cAnything and Everything USED B
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The ferrotype and how to make it - The Grian Press

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