The ferrotype and how to make it - The Grian Press
The ferrotype and how to make it - The Grian Press
The ferrotype and how to make it - The Grian Press
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108 THE FERROTYPE.<br />
by turning the holder w<strong>it</strong>h the right h<strong>and</strong>, so<br />
that <strong>it</strong> will fall out. If <strong>it</strong> is a large plate, the<br />
glass (which was at the back of <strong>it</strong> in the holder)<br />
is now taken in the left h<strong>and</strong>, the plate resting<br />
on <strong>it</strong>. <strong>The</strong> opera<strong>to</strong>r turns <strong>to</strong> the developing st<strong>and</strong>,<br />
<strong>and</strong> taking the bottle containing the developing<br />
solution in the right h<strong>and</strong>, a portion of <strong>it</strong>s con-<br />
tents is poured over the surface of the plate ; or,<br />
rather, as this is a very nice operation, the solu-<br />
tion is poured on the extreme corner nearest the<br />
right h<strong>and</strong>, or on the end or side of the ph\te next<br />
the right h<strong>and</strong>, <strong>and</strong> by a quick but steady motion<br />
of the left h<strong>and</strong> the solution is caused <strong>to</strong> flow over<br />
the whole surface of the plate w<strong>it</strong>hout s<strong>to</strong>pping,<br />
allowing none, or as l<strong>it</strong>tle as possible, <strong>to</strong> run off<br />
the oppos<strong>it</strong>e edge of the plate. This operation is<br />
a difficult one at first, but by careful practice the<br />
necessary skill is easily acquired. <strong>The</strong> plate,<br />
while the developing operation is going on,<br />
should be kept in motion, <strong>to</strong> cause the solution<br />
<strong>to</strong> flow backward <strong>and</strong> forward over the surface;<br />
or when the solution flows reluctantly, the plate<br />
may be taken between both h<strong>and</strong>s <strong>and</strong> violently<br />
ag<strong>it</strong>ated in a horizontal direction, care being<br />
taken <strong>to</strong> retain all the solution on <strong>it</strong>s surface<br />
until the image is brought out distinctly, <strong>and</strong> all<br />
the folds of the drapery begin <strong>to</strong> s<strong>how</strong>. Careful<br />
attention must be given <strong>to</strong> the general appearance<br />
of the image at this stage, <strong>and</strong> particularly <strong>to</strong> the<br />
high lights, contrasting them w<strong>it</strong>h the shadows<br />
of the hair, the projections of the face, <strong>and</strong> the