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Figure 6-1. Magazine layouts, even one as complex as this, use grid systems to help the designers lay out the pages. Figure 6-2. Khoi Vinh’s Subtraction.com is one of a few websites that use a grid system to great effect. chapter 6 Grid Design for the Web 133
134 Ratios and the canvas Ratios are at the core of any well-designed grid system. Sometimes those ratios are rational, such as 1:2 or 2:3, and sometimes they are irrational, such as 1:1.618 (the ratio of the Golden Section). The challenge in designing grid systems is using those ratios to create harmonious compositions. Ratios are applied to a grid system using the measurement of our choice. One thing we cannot control on the Web, however, is the canvas on which the grid sits—the browser window. The canvas size for print design is determined by the media size, whether it’s paper, signage, envelope, or whatever. The canvas size for grid design on the Web is normally determined by the browser window size, which can, in turn, be determined by the user’s screen resolution. These are not fixed. To take into account this flexibility, a designer should design to the minimum requirement, which is normally the average screen resolution for the majority of users. I’m not going to quote figures here, because I’ll probably be wrong, but for quite a few years now, the screen resolution to design has been 800 ✕ 600 pixels. With the relaunch of sites like A List Apart (see Figure 6-3) and Stylegala, there has been a renewed discussion about fixedwidth grids for 1024 pixels. In terms of the actual grid design, it really doesn’t matter what size the canvas is. What should be determining the decision to go with 1024 pixels is research into users’ screen resolutions. If the user base of a certain site is shown to be using resolutions of that size and above, then a decision to use that size to design to is a valid one. Figure 6-3. A List Apart, designed by Jason Santa Maria, uses a wider than standard width. This allows more flexibility with the layouts you can produce with a grid.
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CAMERON ADAMS ~ MARK BOULTON ~ ANDY
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Web Standards Creativity: Innovatio
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Contents About the Technical Review
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PART 2: EFFECTIVE PRINT TECHNIQUES
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About the Technical Reviewer Molly
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Mark Boulton I’d like to thank Kh
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Getting Creative with Web Standards
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Figure 5. The Zen Garden is still g
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Layout Magic Welcome to Part 1 of o
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Before starting Erskine Design in 2
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6 Figure 1-2. The completed Dirty P
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Dirty pretty presentation When buil
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Background Next, we apply the main
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Finally, the main content selector
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The markup is as follows. Note that
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Unless you study the end result clo
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Tables Descendant selectors are ess
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These very simple rules, and the fa
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Conclusion Of course, building the
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Dan Rubin spends his days blending
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Figure 2-1. On the left, the origin
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The CMS challenge It doesn’t take
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The next step was spending some tim
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Videos Photos Extras Links Forum St
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Ever find yourself getting lost in
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z-index:100; left:29px; top:39px; m
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By looking at the markup generated
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Creating the illusion of vertical t
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The first argument defines the CSS
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Figure 2-9. Before (right) and afte
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Such a #teaser After styling the #t
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When time is of the essence, hacks
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Ethan Marcotte has been designing a
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Getting started The article templat
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Structuring the CSS Looking above t
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Adding a layer of style OK, enough
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A quick preview of our code at this
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For our narrow, 190-pixel-wide righ
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Strictly speaking, these class name
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Our column’s “background” wil
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Figure 3-14. The exact same templat
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Figure 3-17. The anatomy of our nar
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So there we have it: a single class
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Figure 3-21. The text size can be i
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anchor.setAttribute("href", "javasc
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78 4 Designing for Outside the Box
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80 Worries? “Oh baby, what’s th
Page 99 and 100: 82 Stop worrying, start with markup
Page 101 and 102: 84 A third-level heading proudly an
Page 103 and 104: 86 Adding divisions from the conten
Page 105 and 106: 88 With the elements and appropriat
Page 107 and 108: 90 Styling WorrySome.net Whereas ma
Page 109 and 110: 92 Take a peek at how your design i
Page 111 and 112: 94 The final result of your column-
Page 113 and 114: 96 Each of the paragraphs of introd
Page 115 and 116: 98 While floats and image replaceme
Page 117 and 118: 100 Well, maybe you’re not quite
Page 119 and 120: 102 This will be followed by a spec
Page 121 and 122: 104 The result of this is that your
Page 123 and 124: 106 We'll give you another look at
Page 125 and 126: 108 5 Creative Use of PNG Transpare
Page 127 and 128: 110 PNG, GIF, and JPEG The PNG imag
Page 129 and 130: 112 The image that needs to work on
Page 131 and 132: 114 Wilson includes his transparent
Page 133 and 134: 116 Now I’ll create a 1-by-1-pixe
Page 135 and 136: 118 In another creative example, de
Page 137 and 138: 120 A bit of CSS is then used t
Page 139 and 140: 122 And then the CSS: a.photo-conta
Page 141 and 142: 124 I’ve specified #cc0000
Page 143 and 144: 126 However, I’ve reversed their
Page 145 and 146: 128 var div = document.createElemen
Page 147 and 148: 130 6 Grid Design for the Web mark
Page 149: 132 What is a grid system? A grid s
Page 153 and 154: 136 Beginning with the pen I like t
Page 155 and 156: 138 Designing the columns The wiref
Page 157 and 158: 140 This makes 1em roughly 10px (16
Page 159 and 160: 142 The masthead includes several i
Page 161 and 162: 144 Building the CSS I’m at the s
Page 163 and 164: 146 Setting the width of the column
Page 165 and 166: 148 Figure 6-16 shows the masthead
Page 167 and 168: 150 It’s starting to look like a
Page 169 and 170: 152 Issues with the design The proj
Page 171: 154 Figure 6-20. The new WRC shares
Page 174 and 175: Rob Weychert is a graphic designer,
Page 176 and 177: The process Figure 7-1. Times New R
Page 178 and 179: Here is a simplified version of the
Page 180 and 181: Figure 7-5. Fixed-width layout: Hor
Page 182 and 183: Translation Figure 7-9. Final layou
Page 184 and 185: With just three short paragraphs to
Page 186 and 187: Figure 7-12. A cohesive text block
Page 188 and 189: As another elegant piece of insuran
Page 190 and 191: Image replacement But I’m still n
Page 192 and 193: All caps I am quite pleased with my
Page 194 and 195: Small caps There is one more typogr
Page 196 and 197: Figure 7-24. The effort was all wor
Page 198 and 199: DOM Scripting Gems What book on web
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Ian Lloyd runs Accessify.com, a sit
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Preparing the foundations With a cl
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Identifying the sections The basic
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The addEvent function primes the we
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That’s our AddEvent part, mention
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for (i=0;i
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It is generally considered bad prac
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hide the sections from printout el[
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The following is the code required
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Sliding in the code In the proof-of
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For the purposes of building on the
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Never mind all that—what about sa
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208 9 Creating Dynamic Interfaces U
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210 Different layouts for different
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212 Figure 9-1. The UX Magazine web
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214 Figure 9-3. The White Pages web
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216 Browser size, not resolution Al
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218 There are two major changes bet
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220 return document.documentElement
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222 } else if (typeof target.attach
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224 Figure 9-7 shows the default vi
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226 The markup The high-level struc
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228 if (typeof event.stopPropagatio
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230 Styling with CSS Now that we’
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232 event = window.event; } if (typ
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234 function getPosition(theElement
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236 document.getElementsByTagName("
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238 ghostMarker.marked.appendChild(
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240 Keeping track of changes The te
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10 242 Accessible Sliding Navigatio
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244 The killer feature Admit it. Yo
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246 Accessibility and JavaScript Fo
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248 After the main link is clicked,
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250 Switching between CSS states wi
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252 Adding sliding behaviors Now th
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254 // set the height to a new valu
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256 When using a screen magnifier,
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258 If the user does repeat the “
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260 There may be unforeseen consequ
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262 Croft, Jeff, 109 CSS (Cascading
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264 max-width, 58, 71 @media print,
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266 websites A List Apart, 134 New
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