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WEB STANDARDS CREATIVITY

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The brief<br />

Building a website compliant with Web Standards for a<br />

record company is a challenge. For years, Flash has been<br />

the essential tool for band websites. Plus, there are<br />

unfathomable navigation challenges, jukebox widgets,<br />

frames, questionable color palettes, and the ever-present<br />

Loading bar. While much of the Web looks current, in the<br />

music industry, it is still 1999. The situation is getting better,<br />

as Dan Rubin will illustrate in Chapter 2 of this book,<br />

but good sites are still few and far between.<br />

For the Dirty Pretty Things website (www.dirtyprettythingsband.com),<br />

I and my fellow designers at Agenzia<br />

had the opportunity to build on the impact we had made<br />

with the relaunched Libertines (www.thelibertines.<br />

org.uk) site in the summer of 2004 (see Figure 1-1). We<br />

built the Libertines site with Web Standards, using Flash<br />

elements in a responsible way. We were hell-bent on<br />

keeping content separate from presentation to capitalize<br />

on the growing number of users accessing the site<br />

through mobile devices, and to ensure longevity for the<br />

core content, regardless of future redesigns. As it happens,<br />

the great hopes of UK rock and roll disbanded<br />

amidst a maelstrom of excess and bad behavior, but the<br />

site lives on with an ever-growing community of users.<br />

Fast-forward 18 months, and Libertines cofounder Carl<br />

Barat has formed a new band, and there is major anticipation<br />

from the music press and fans alike. With celebrity<br />

ex-Libertine Pete Doherty all over the tabloids for all the<br />

wrong reasons, it is up to Carl and company to bring joy<br />

back to the thousands of fans who sold their souls to the<br />

Libertines. From the outset, it is clear that any new website<br />

is going to be on the popular side, and armed with<br />

our experiences from the Libertines site, it is easy to convince<br />

the record company that Web Standards are the<br />

only way forward.<br />

A mass of original artwork created for the band by Hannah<br />

Bays is thrown our way, and although distinctive and<br />

cool, none of it seems to lend itself to a web design. In<br />

fact, getting a design together becomes a long and<br />

drawn-out process, and is put on the back burner while<br />

we begin building the core content of the site using just<br />

XHTML and PHP/MySQL.<br />

Figure 1-1. The final version of the Libertines website<br />

(www.thelibertines.org.uk)<br />

This chapter will join the process as we complete the<br />

XHTML and database and return to the presentational<br />

approaches, looking at how this was achieved with a separate<br />

layer using CSS. The focus will be on applying the<br />

presentational visual touches, such as custom backgrounds,<br />

headers, and other widgets with CSS, leaving the<br />

core content uncompromised. Figure 1-2 shows the final<br />

version of the website.<br />

chapter 1 Semantic Structure, Dirty Pretty Presentation<br />

5

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