WEB STANDARDS CREATIVITY

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The next step was spending some time in Photoshop to turn that sketch into pixels. The color scheme was borrowed from the photograph on the band’s most recent album cover, plus a few shades of gray. One session of some intense pixelpushing later, I wound up with the composite shown in Figure 2-5. Figure 2-5. The initial Photoshop composite Some interesting visual elements found their way into the design during this stage: A transparent background for the “teaser” article (showing the photo underneath) The teaser headline set in the same typeface as the band’s logo (Franklin Gothic Condensed) A list of recent news headlines in the footer (this may seem like a simple thing to reproduce, except that it wasn’t supported by the CMS) Vertical text headlines (also rendered in Franklin Gothic Condensed) throughout the layout By now, you’re probably itching to get to the “tips and tricks” part of the story, so feel free to read ahead if markup isn’t your bag of chips. But we really need to lay our XHTML foundation before we can start styling. chapter 2 Taming a Wild CMS with CSS, Flash, and JavaScript 31
32 The markup is but a shell Since the CMS is in control of the markup surrounding most of the content blocks, the easiest thing to do is to create a shell layout, with s to contain each of those modules of data. The design is essentially two columns plus a footer, with the logo and navigation located within the left column. After tossing in a few bits of sample content, I got this: Lifehouse [homepage] Lifehouse latest news Article heading Lorem ipsum dolor sit amet, consectetur adipisicing elit,➥ sed do eiusmod tempor incididunt ut labore et dolore magna➥ aliqua. Ut enim ad minim veniam, quis nostrud exercitation➥ ullamco laboris nisi ut... Published on 5/14/2006 |➥ Link |➥ Comments (0) read more... Home News Dates Music
Page 1 and 2: CAMERON ADAMS ~ MARK BOULTON ~ ANDY
Page 3 and 4: Web Standards Creativity: Innovatio
Page 6 and 7: Contents About the Technical Review
Page 8 and 9: PART 2: EFFECTIVE PRINT TECHNIQUES
Page 10 and 11: About the Technical Reviewer Molly
Page 12 and 13: Mark Boulton I’d like to thank Kh
Page 14 and 15: Getting Creative with Web Standards
Page 16 and 17: Figure 5. The Zen Garden is still g
Page 18 and 19: Layout Magic Welcome to Part 1 of o
Page 20: Before starting Erskine Design in 2
Page 23 and 24: 6 Figure 1-2. The completed Dirty P
Page 26 and 27: Dirty pretty presentation When buil
Page 28 and 29: Background Next, we apply the main
Page 30 and 31: Finally, the main content selector
Page 32 and 33: The markup is as follows. Note that
Page 34 and 35: Unless you study the end result clo
Page 36 and 37: Tables Descendant selectors are ess
Page 38 and 39: These very simple rules, and the fa
Page 40 and 41: Conclusion Of course, building the
Page 42 and 43: Dan Rubin spends his days blending
Page 44 and 45: Figure 2-1. On the left, the origin
Page 46 and 47: The CMS challenge It doesn’t take
Page 50 and 51: Videos Photos Extras Links Forum St
Page 52 and 53: Ever find yourself getting lost in
Page 54 and 55: z-index:100; left:29px; top:39px; m
Page 56 and 57: By looking at the markup generated
Page 58 and 59: Creating the illusion of vertical t
Page 60 and 61: The first argument defines the CSS
Page 62 and 63: Figure 2-9. Before (right) and afte
Page 64 and 65: Such a #teaser After styling the #t
Page 66 and 67: When time is of the essence, hacks
Page 68 and 69: Ethan Marcotte has been designing a
Page 70 and 71: Getting started The article templat
Page 72 and 73: Structuring the CSS Looking above t
Page 74 and 75: Adding a layer of style OK, enough
Page 76 and 77: A quick preview of our code at this
Page 78 and 79: For our narrow, 190-pixel-wide righ
Page 80 and 81: Strictly speaking, these class name
Page 82 and 83: Our column’s “background” wil
Page 84 and 85: Figure 3-14. The exact same templat
Page 86 and 87: Figure 3-17. The anatomy of our nar
Page 88 and 89: So there we have it: a single class
Page 90 and 91: Figure 3-21. The text size can be i
Page 92 and 93: anchor.setAttribute("href", "javasc
Page 95 and 96: 78 4 Designing for Outside the Box
Page 97 and 98: 80 Worries? “Oh baby, what’s th
Page 99 and 100:
82 Stop worrying, start with markup
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84 A third-level heading proudly an
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86 Adding divisions from the conten
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88 With the elements and appropriat
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90 Styling WorrySome.net Whereas ma
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92 Take a peek at how your design i
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94 The final result of your column-
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96 Each of the paragraphs of introd
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98 While floats and image replaceme
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100 Well, maybe you’re not quite
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102 This will be followed by a spec
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104 The result of this is that your
Page 123 and 124:
106 We'll give you another look at
Page 125 and 126:
108 5 Creative Use of PNG Transpare
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110 PNG, GIF, and JPEG The PNG imag
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112 The image that needs to work on
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114 Wilson includes his transparent
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116 Now I’ll create a 1-by-1-pixe
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118 In another creative example, de
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120 A bit of CSS is then used t
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122 And then the CSS: a.photo-conta
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124 I’ve specified #cc0000
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126 However, I’ve reversed their
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128 var div = document.createElemen
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130 6 Grid Design for the Web mark
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132 What is a grid system? A grid s
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134 Ratios and the canvas Ratios ar
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136 Beginning with the pen I like t
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138 Designing the columns The wiref
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140 This makes 1em roughly 10px (16
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142 The masthead includes several i
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144 Building the CSS I’m at the s
Page 163 and 164:
146 Setting the width of the column
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148 Figure 6-16 shows the masthead
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150 It’s starting to look like a
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152 Issues with the design The proj
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154 Figure 6-20. The new WRC shares
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Rob Weychert is a graphic designer,
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The process Figure 7-1. Times New R
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Here is a simplified version of the
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Figure 7-5. Fixed-width layout: Hor
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Translation Figure 7-9. Final layou
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With just three short paragraphs to
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Figure 7-12. A cohesive text block
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As another elegant piece of insuran
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Image replacement But I’m still n
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All caps I am quite pleased with my
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Small caps There is one more typogr
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Figure 7-24. The effort was all wor
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DOM Scripting Gems What book on web
Page 200 and 201:
Ian Lloyd runs Accessify.com, a sit
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Preparing the foundations With a cl
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Identifying the sections The basic
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The addEvent function primes the we
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That’s our AddEvent part, mention
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for (i=0;i
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It is generally considered bad prac
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hide the sections from printout el[
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The following is the code required
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Sliding in the code In the proof-of
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For the purposes of building on the
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Never mind all that—what about sa
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208 9 Creating Dynamic Interfaces U
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210 Different layouts for different
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212 Figure 9-1. The UX Magazine web
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214 Figure 9-3. The White Pages web
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216 Browser size, not resolution Al
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218 There are two major changes bet
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220 return document.documentElement
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222 } else if (typeof target.attach
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224 Figure 9-7 shows the default vi
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226 The markup The high-level struc
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228 if (typeof event.stopPropagatio
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230 Styling with CSS Now that we’
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232 event = window.event; } if (typ
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234 function getPosition(theElement
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236 document.getElementsByTagName("
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238 ghostMarker.marked.appendChild(
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240 Keeping track of changes The te
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10 242 Accessible Sliding Navigatio
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244 The killer feature Admit it. Yo
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246 Accessibility and JavaScript Fo
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248 After the main link is clicked,
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250 Switching between CSS states wi
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252 Adding sliding behaviors Now th
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254 // set the height to a new valu
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256 When using a screen magnifier,
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258 If the user does repeat the “
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260 There may be unforeseen consequ
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262 Croft, Jeff, 109 CSS (Cascading
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264 max-width, 58, 71 @media print,
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266 websites A List Apart, 134 New
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WEB STANDARDS CREATIVITY

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