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Visual Literacy<br />
and the Implied Readers<br />
of Children’s Picturebooks<br />
MARIA NIKOLAJEVA*<br />
While we take great efforts in teaching children to read, and in persuading<br />
both children and those adults who act as mediators, of the importance<br />
of reading, it is a common prejudice that visual literacy comes natural<br />
and does not have to be taught and trained. True, there is vast evidence<br />
of very young children responding to images; however, response<br />
and understanding are not quite identical. Neither do adults automatically<br />
acquire visual reading skills, as we all have witnessed our students’<br />
rather naïve and primitive discussion of picturebooks when they first<br />
encounter these in a children’s literature course.<br />
Visual literacy is just as essential component of a child’s intellectual<br />
growth as the ability to read verbal texts. And if verbal literacy can be and<br />
is trained, so should be visual literacy. Although a vast number of empirical<br />
studies have been carried out dealing with four-year-olds responding<br />
to this picturebook and six-years-olds responding to that picturebook (e.g.<br />
Arizpe & Styles 2003), the very process of understanding and the successively<br />
increasing ability to decode the complex synergy of word and<br />
image have not yet been studied and theorized sufficiently. It may sound<br />
like a <strong>para</strong>dox when picturebook scholarship has recently expanded like<br />
no other field in children’s literature research (e.g. Doonan 1993; Lewis<br />
2001; Nikolajeva & Scott 2001). Indeed, I would claim that while we still<br />
do not have a comprehensive children’s literature-specific theory, we do<br />
have a well-developed theory of multimodal communication, including<br />
picturebooks. Still, we know too little about how picturebooks are perceived<br />
by and make impact on young readers. I will therefore not discuss<br />
the question whether actual children do or do not understand certain<br />
aspects of multimodal texts, but use as a point of departure the concept<br />
of the implied reader, the reader that can be extracted and constructed<br />
from the text as such. The concept of literary competence is central in<br />
such line of inquiry. I will thus speak about competent/incompetent and<br />
sophisticated/unsophisticated readers, without putting any evaluative or<br />
pejorative significance in these terms.<br />
In his ground-breaking work on reader-oriented semiotics, S/Z (1974),<br />
*Professora de Letras na Universidade de Cambridge, R.U.<br />
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