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Visual Literacy<br />

and the Implied Readers<br />

of Children’s Picturebooks<br />

MARIA NIKOLAJEVA*<br />

While we take great efforts in teaching children to read, and in persuading<br />

both children and those adults who act as mediators, of the importance<br />

of reading, it is a common prejudice that visual literacy comes natural<br />

and does not have to be taught and trained. True, there is vast evidence<br />

of very young children responding to images; however, response<br />

and understanding are not quite identical. Neither do adults automatically<br />

acquire visual reading skills, as we all have witnessed our students’<br />

rather naïve and primitive discussion of picturebooks when they first<br />

encounter these in a children’s literature course.<br />

Visual literacy is just as essential component of a child’s intellectual<br />

growth as the ability to read verbal texts. And if verbal literacy can be and<br />

is trained, so should be visual literacy. Although a vast number of empirical<br />

studies have been carried out dealing with four-year-olds responding<br />

to this picturebook and six-years-olds responding to that picturebook (e.g.<br />

Arizpe & Styles 2003), the very process of understanding and the successively<br />

increasing ability to decode the complex synergy of word and<br />

image have not yet been studied and theorized sufficiently. It may sound<br />

like a <strong>para</strong>dox when picturebook scholarship has recently expanded like<br />

no other field in children’s literature research (e.g. Doonan 1993; Lewis<br />

2001; Nikolajeva & Scott 2001). Indeed, I would claim that while we still<br />

do not have a comprehensive children’s literature-specific theory, we do<br />

have a well-developed theory of multimodal communication, including<br />

picturebooks. Still, we know too little about how picturebooks are perceived<br />

by and make impact on young readers. I will therefore not discuss<br />

the question whether actual children do or do not understand certain<br />

aspects of multimodal texts, but use as a point of departure the concept<br />

of the implied reader, the reader that can be extracted and constructed<br />

from the text as such. The concept of literary competence is central in<br />

such line of inquiry. I will thus speak about competent/incompetent and<br />

sophisticated/unsophisticated readers, without putting any evaluative or<br />

pejorative significance in these terms.<br />

In his ground-breaking work on reader-oriented semiotics, S/Z (1974),<br />

*Professora de Letras na Universidade de Cambridge, R.U.<br />

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