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De analytiske redskaber<br />

___________________________________________________________________________<br />

Tekstens udviklingsmetode Tekstens Point<br />

(genrefokus) (field-fokus)<br />

Macro-Theme<br />

Hyper-Theme<br />

“<br />

forudsige ” Theme…New akkumulere<br />

”<br />

Hyper-New<br />

Figur 19 Sandwichtekstur i abstrakt skriftlig diskurs. 468<br />

Martin resumerer begreberne i sin metaforiske stil således:<br />

141<br />

Macro-New<br />

In short, a method of development is where a text is coming from; point is where it’s going to.<br />

Theme is how a speaker looks at things; New is where she takes the listener to.Hyper-Theme<br />

is what a speaker’s going to say; hyper-New is what a listener’s learned. Macro-Theme is their<br />

way in; macro-New is where they’ve been. A text is a trip: method of development is the<br />

route taken, while point is why you went there in the first place – what you’ve<br />

seen/learned/experienced/taken away. Method of development is the plan; point is the holiday.<br />

469<br />

4.5.5 Udviklingsmetoden i klasserummet<br />

I klasserumssamtalen identificerer Theme-mønstrene hvad der fremhæves eller hvad<br />

der gøres til det fremhævede organisatoriske udgangspunkt i samtalen. For eksempel<br />

er det i feltopbygningen elevernes erfaringer med vilkårene ved at leve i en storfamilie,<br />

der er fremhævet som samtaletekstens organisatoriske udgangspunkt, i hvert tilfælde<br />

i eksperientiel Theme-position her i eksemplerne fra Stellas SPIF<br />

Theme Rheme/New<br />

All the family can be TOGETHER<br />

They don’t MISS each other<br />

Family members can always SUPPORT each other<br />

I følgende eksempler er det elever og lærer der er fremhævet i lærerens tale, som<br />

drejer sig om organisationen og planlægningen af timen i Shirleys SPIF. Nogle elementer<br />

i sætningen kan agere samtidig og dermed realisere to metafunktioner. Disse<br />

er Wh/hv-relativer og Wh/hv-interrogative elementer der kombinerer det interperso-<br />

in New than Theme, through not a random set. A text’s principle strings and chains will still<br />

be there, constrained by cohesive harmony; but there will be lesser strings and chains and<br />

odds and ends as well. A text is never hermetically sealed; a text, like the system behind it,<br />

is a dynamic open process – and point is a source of openness: a resistance to the closure<br />

predicated on cohesive harmony and method of development. Martin 2000a:27.<br />

468 efter Martin 2000a:27.<br />

469 Martin 2000a:27.

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