Kapitel 4
Kapitel 4
Kapitel 4
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De analytiske redskaber<br />
___________________________________________________________________________<br />
Tekstens udviklingsmetode Tekstens Point<br />
(genrefokus) (field-fokus)<br />
Macro-Theme<br />
Hyper-Theme<br />
“<br />
forudsige ” Theme…New akkumulere<br />
”<br />
Hyper-New<br />
Figur 19 Sandwichtekstur i abstrakt skriftlig diskurs. 468<br />
Martin resumerer begreberne i sin metaforiske stil således:<br />
141<br />
Macro-New<br />
In short, a method of development is where a text is coming from; point is where it’s going to.<br />
Theme is how a speaker looks at things; New is where she takes the listener to.Hyper-Theme<br />
is what a speaker’s going to say; hyper-New is what a listener’s learned. Macro-Theme is their<br />
way in; macro-New is where they’ve been. A text is a trip: method of development is the<br />
route taken, while point is why you went there in the first place – what you’ve<br />
seen/learned/experienced/taken away. Method of development is the plan; point is the holiday.<br />
469<br />
4.5.5 Udviklingsmetoden i klasserummet<br />
I klasserumssamtalen identificerer Theme-mønstrene hvad der fremhæves eller hvad<br />
der gøres til det fremhævede organisatoriske udgangspunkt i samtalen. For eksempel<br />
er det i feltopbygningen elevernes erfaringer med vilkårene ved at leve i en storfamilie,<br />
der er fremhævet som samtaletekstens organisatoriske udgangspunkt, i hvert tilfælde<br />
i eksperientiel Theme-position her i eksemplerne fra Stellas SPIF<br />
Theme Rheme/New<br />
All the family can be TOGETHER<br />
They don’t MISS each other<br />
Family members can always SUPPORT each other<br />
I følgende eksempler er det elever og lærer der er fremhævet i lærerens tale, som<br />
drejer sig om organisationen og planlægningen af timen i Shirleys SPIF. Nogle elementer<br />
i sætningen kan agere samtidig og dermed realisere to metafunktioner. Disse<br />
er Wh/hv-relativer og Wh/hv-interrogative elementer der kombinerer det interperso-<br />
in New than Theme, through not a random set. A text’s principle strings and chains will still<br />
be there, constrained by cohesive harmony; but there will be lesser strings and chains and<br />
odds and ends as well. A text is never hermetically sealed; a text, like the system behind it,<br />
is a dynamic open process – and point is a source of openness: a resistance to the closure<br />
predicated on cohesive harmony and method of development. Martin 2000a:27.<br />
468 efter Martin 2000a:27.<br />
469 Martin 2000a:27.