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Preparatory<br />

Stages<br />

The OCOG-80 set up a public<br />

commission headed by one of its<br />

Vice-Presidents to settle problems arising<br />

during preparations for the Opening<br />

Ceremony and Closing Ceremony.<br />

The commission examined the<br />

scenarios, sketches of the stadium<br />

decor, sketches of the costumes and<br />

properties, the composition of the<br />

participants in the pageants, and so on,<br />

thus contributing to the success of the<br />

ceremonies.<br />

To ensure strictest observance of<br />

the Opening and Closing ceremonies<br />

protocol the OCOG-80 frequently consulted<br />

with Juan Antonio Samaranch,<br />

then Chief of Protocol, and Secretariat<br />

of the IOC Director Monique Berlioux.<br />

The OCOG-80 worked out a strict<br />

timetable coordinating all the services<br />

involved in meeting the protocol requirements,<br />

and planned the entrance<br />

and departure of the participants in<br />

the parade (the official Opening Ceremony<br />

was conducted in two hours, as<br />

planned; the official part of the Closing<br />

Ceremony lasted 50 minutes). The<br />

artistic programme and sports performances<br />

lasted 62 minutes in the<br />

Opening Ceremony, and 37 minutes in<br />

the Closing Ceremony.<br />

Selection of the participants in the<br />

ceremonies was a major aspect in the<br />

preparatory stage.<br />

OCOG-80 workers collaborated<br />

with USSR Sports Committee representatives<br />

to work out the requirements<br />

for the training of the participants<br />

in the mass sports performances.<br />

The requirements for the<br />

selection of professional and amateur<br />

performers in the choreographic section<br />

of the programme were set by the<br />

chief ballet-master of the ceremonies.<br />

The opening ceremony at the<br />

Seventh USSR Summer Spartakiade in<br />

Moscow in August 1979 enabled the<br />

organisers to test separate elements<br />

for the Olympic Opening Ceremony<br />

and Closing Ceremony.<br />

In January 1980 the organisers<br />

arranged ten-day experimental gatherings<br />

of gymnasts to determine and<br />

select the most expressive elements of<br />

the sports performances for the ceremonies,<br />

and five-day practical classes<br />

for ballet-masters from the Soviet republics<br />

to enable sports and choreographic<br />

groups to continue further preparations<br />

on home grounds.<br />

The unique nature and scale of the<br />

Friendship of the Peoples choreographic<br />

suite that was planned, with<br />

the participation of members of<br />

amateur and professional dance companies<br />

from the Soviet Union's 15<br />

republics, demanded painstaking preparation.<br />

Week-long zonal training<br />

281<br />

sessions were held in the home<br />

localities of these companies. They<br />

included a session in Tashkent for<br />

dance companies from the Soviet<br />

Central Asian republics and Kazakhstan,<br />

in Klaipeda for companies from<br />

the Soviet Baltic republics, and similar<br />

sessions elsewhere. OCOG-80 officials,<br />

the chief ballet-master and other<br />

experts attended the sessions.<br />

In June 1980 the sports and<br />

choreographic groups that were to<br />

take part in the Opening Ceremony<br />

and Closing Ceremony gathered in<br />

Moscow for training and rehearsal<br />

sessions to put the finishing touches<br />

to their programmes. The performers<br />

included students from all of the<br />

Soviet Union's 24 colleges of physical<br />

education, gymnasts from all sports<br />

societies, and professional and<br />

amateur performers from such wellknown<br />

groups as the Krasnoyarsk<br />

Dance Company of Siberia, groups at<br />

the Palace of Culture of the Likhachov<br />

Motor Works and Maxim Gorky House<br />

of Culture, both in Moscow, the dance<br />

group of the House of Culture of the<br />

Vinnitsa Machinery Works, the Folk<br />

Dance Company of the House of<br />

Culture at the Cable Works in Yerevan,<br />

Armenia, the Martishor Folk<br />

Dance Company of Moldavia, the<br />

Rossa Company from Lithuania, Rannitsa<br />

Folk Company from Byelorussia,<br />

the Minar Folk Dance Company from<br />

the Azerbaijanian Medical College,<br />

and the Sõprus Dance Company of<br />

the Estonian Republic, among others.<br />

The participants in the sessions<br />

were put up in Moscow student hostels.<br />

They trained and rehearsed in<br />

Moscow stadiums.<br />

In the final stage of the preparations<br />

three general rehearsals and one<br />

dress rehearsal of both the Opening<br />

Ceremony and Closing Ceremony<br />

were held at the Grand Arena of the<br />

Central Lenin Stadium. Here each<br />

element, detail and performance, as<br />

well as the programmes as a whole,<br />

were finalised and polished.<br />

The parade of the participants is<br />

among the longest and most tiring<br />

sections of the ceremonies. In view of<br />

this precise timetable for the march-by<br />

and the optimum plan of the lining-up<br />

of each contingent on the field of the<br />

stadium were worked out. OCOG-80<br />

workers had a series of meetings with<br />

chefs-de-mission to discuss their delegations'<br />

participation in the parade.<br />

The OCOG-80 took steps to provide<br />

the material and technical<br />

facilities for the two ceremonies.<br />

More than 1,500,000 articles and<br />

objects (sports uniforms, costumes,<br />

properties, apparatus and structures<br />

for gymnastics performances, and so

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