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Dasein - Monoskop

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198 PART III<br />

to think wrongly of world as a particular being, and—arising from<br />

the interpretation of Being as presence(-at-hand)—as an object:<br />

World worlds and has more Being than the tangible and the<br />

perceptible realm in which we believe ourselves to be at home.<br />

World is never an object ... Wherever the essential decisions of<br />

our history are made ... there the world worlds. 244<br />

Now according to Heidegger, what we experience, when confronted<br />

with a Greek temple is the interplay or the "strife" between<br />

world and earth. The temple makes present a world with its religion,<br />

life, and politics, but it also makes us aware of the limits that our understanding<br />

encounters. The rock on which the temple is built, the<br />

nature that surrounds it, the material that was used to build it, all of<br />

these cannot be understood like human deeds and texts. The temple<br />

or, more generally, any work of art, instantiates the tension between<br />

these two aspects: the openness of meaning and the impenetrability<br />

of matter, i.e., the limitation of understanding:<br />

The world is the self-opening openness of the broad paths of<br />

the simple and essential decisions in the destiny of a historical<br />

people. The earth is the unhurried emergence of that which is<br />

continuously self-closing and to that extent sheltering. World<br />

and earth are essentially different from one another and yet<br />

never separated. ... The confrontation of world and earth is<br />

a strife. 245<br />

Heidegger suggests that in this strife of world and earth we<br />

encounter a phenomenon that is of the essence of truth:<br />

(A-4) Art is a happening of truth, truth is a strife between<br />

illumination and concealment.<br />

The conception of truth that Heidegger subsequently presents<br />

shows similarities with, but also some deviations from, the notion of<br />

truth that he develops in Being and Time. What is retained from<br />

Being and Time is the characterization of truth as unconcealedness,<br />

as aXrjtfeia. However, the distinction between truth and falsehood—<br />

qua "untruth"—is no longer linked to the issue of <strong>Dasein</strong>'s authenticity<br />

and inauthenticity. Falsehood as "untruth" is rather developed<br />

into a component of the "happening" of truth itself.

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