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A Genealogy of the Extraterrestrial in American Culture

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evolutionary nomenclature <strong>of</strong> <strong>the</strong> committed socialist, call<strong>in</strong>g on <strong>the</strong> faithful to battle greed,<br />

unbridled competition and Mammon. His description <strong>of</strong> <strong>the</strong> Christian Commonwealth as a<br />

“National Intentional Community” anticipated <strong>the</strong> 1960s counterculture’s later adoption <strong>of</strong> <strong>the</strong><br />

same term as an alternative to “commune.” This odd amalgam recalled noth<strong>in</strong>g so much as<br />

<strong>American</strong> Populism with its tendency to shuttle between <strong>the</strong> espousal <strong>of</strong> radical democracy and<br />

anti-corporate capitalism and a rhetoric <strong>of</strong> prov<strong>in</strong>cialism, race hatred and exclusion. Of course<br />

one primary difference between <strong>the</strong> two is that ascended masters, whom he referred to as<br />

Mentors, dictated Pelley’s politics via “mental radio.”<br />

Pelley would go on over <strong>the</strong> next ten years, <strong>in</strong> a varied and proliferat<strong>in</strong>g number <strong>of</strong><br />

periodicals, to sell his occult vision <strong>of</strong> Christian Patriotism and his <strong>in</strong>creas<strong>in</strong>gly shrill message <strong>of</strong><br />

anti-Semitism. Anticipat<strong>in</strong>g <strong>the</strong> targets <strong>of</strong> later <strong>American</strong> extreme right w<strong>in</strong>g organizations,<br />

Pelley attacked <strong>the</strong> ACLU, <strong>the</strong> Congress <strong>of</strong> Industrial Organizations, <strong>the</strong> <strong>American</strong> Medical<br />

Association and, <strong>of</strong> course, Hollywood. As an example <strong>of</strong> <strong>the</strong> particularly Semitic evil <strong>of</strong> <strong>the</strong><br />

latter, Pelley recalled his efforts to mirror Christ’s feed<strong>in</strong>g <strong>of</strong> <strong>the</strong> multitudes <strong>in</strong> <strong>the</strong> screenplay for<br />

Torment! and <strong>the</strong> “typically” <strong>of</strong>fensive response from <strong>the</strong> studio thusly:<br />

Ve a<strong>in</strong>’t mak<strong>in</strong>’ it moom-pitchers about your bastard Christ nor his loafs and fishes. Vat<br />

ve vant <strong>in</strong> it moom-pitchers is legs. Understand me?…legs!…Vim<strong>in</strong>’s legs! Ven ve get<br />

done vid you Christians, I guess you f<strong>in</strong>d out vy ve got it control <strong>of</strong> movies and it a<strong>in</strong>’t to<br />

preach no sermon <strong>in</strong> a church. I’m tell<strong>in</strong>g you! Better ve should put every goy girl <strong>in</strong> a<br />

whorehouse, and by gott you’ll like it! 168<br />

Pelley, along with mak<strong>in</strong>g <strong>the</strong> question <strong>of</strong> race more prom<strong>in</strong>ent <strong>in</strong> his version <strong>of</strong> <strong>the</strong> displaced<br />

utopian imag<strong>in</strong>ary, also brought to bear <strong>the</strong> rhetoric <strong>of</strong> conspiracy <strong>the</strong>ory—<strong>the</strong> above quote<br />

hav<strong>in</strong>g shameless recourse to <strong>the</strong> trope <strong>of</strong> Womanhood’s corruption by predatory cliques—<br />

rhetoric that would cont<strong>in</strong>ue to haunt <strong>the</strong> alien-human nexus. Pelley would go on to run for<br />

President <strong>in</strong> 1936 as representative <strong>of</strong> <strong>the</strong> "Christian Party" promis<strong>in</strong>g to "make it impossible for<br />

168 Ribuffo, 58.<br />

100

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