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A Genealogy of the Extraterrestrial in American Culture

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elievers, all carried through <strong>the</strong> earlier models <strong>of</strong> contact and dissem<strong>in</strong>ation developed <strong>in</strong><br />

n<strong>in</strong>eteenth century Spiritualism. What was different was that his mode <strong>of</strong> contact was no longer<br />

simply spiritual (though strictly speak<strong>in</strong>g, nei<strong>the</strong>r was Spiritualism, given its emphasis on<br />

physical manifestations as exhibited via <strong>the</strong> creation <strong>of</strong> sound us<strong>in</strong>g visible <strong>in</strong>struments and <strong>the</strong><br />

appearance <strong>of</strong> ectoplasm), but had atta<strong>in</strong>ed a clear physical component. The o<strong>the</strong>r primary<br />

difference <strong>of</strong> course was that <strong>the</strong> O<strong>the</strong>rs <strong>in</strong> question were not from heaven but from o<strong>the</strong>r planets.<br />

Adamski <strong>in</strong>teracted with embodied extraterrestrials <strong>in</strong> real time and entered <strong>the</strong> craft upon which<br />

his contacts had descended from <strong>the</strong> skies.<br />

Given <strong>the</strong> level <strong>of</strong> public <strong>in</strong>terest <strong>in</strong> UFO phenomena, it was <strong>in</strong> <strong>the</strong> <strong>in</strong>terest <strong>of</strong> Adamski to<br />

place great emphasis on <strong>the</strong> craft itself—note <strong>the</strong> aforementioned title <strong>of</strong> Adamski’s book. But<br />

<strong>the</strong> fly<strong>in</strong>g saucers that hosted him did noth<strong>in</strong>g to fundamentally alter <strong>the</strong> established narrative<br />

tropes <strong>of</strong> <strong>the</strong> alien-human encounter. The O<strong>the</strong>rs who presented <strong>the</strong>mselves to George Adamski<br />

were still recognizably “human.” Their O<strong>the</strong>rness, as <strong>in</strong> earlier cases <strong>of</strong> <strong>the</strong> displaced utopian<br />

imag<strong>in</strong>ary, sprang from <strong>the</strong>ir po<strong>in</strong>t <strong>of</strong> orig<strong>in</strong> and <strong>the</strong>ir both implicit and explicit perfection. Their<br />

ships were merely fur<strong>the</strong>r evidence <strong>of</strong> <strong>the</strong>ir mastery over time and space, fur<strong>the</strong>r material<br />

evidence <strong>of</strong> <strong>the</strong> utopian future that waited if only humans would accept <strong>the</strong>ir counsel and align<br />

<strong>the</strong>mselves properly with <strong>the</strong> cosmos.<br />

Adamski drew ridicule and contempt from “ma<strong>in</strong>stream” ufology. His claims and<br />

exploits smacked <strong>of</strong> a style <strong>of</strong> religious charlatanism that had long been known with<strong>in</strong> <strong>American</strong><br />

culture and appeared to be simply old-fashioned religious faddism dressed up <strong>in</strong> space-age<br />

cloth<strong>in</strong>g. He had no conv<strong>in</strong>c<strong>in</strong>g evidence to <strong>of</strong>fer and everyth<strong>in</strong>g to ga<strong>in</strong> from claim<strong>in</strong>g contact.<br />

His behavior clearly <strong>in</strong>dicated he was willfully pr<strong>of</strong>it<strong>in</strong>g from <strong>the</strong> public attention ga<strong>in</strong>ed via<br />

<strong>the</strong>ir claims. Adamski went so far as to publicly admit that form<strong>in</strong>g a religion was <strong>the</strong> best way<br />

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