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A Genealogy of the Extraterrestrial in American Culture

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<strong>in</strong>verted form) along which <strong>the</strong> understand<strong>in</strong>g <strong>of</strong> hypnotism was to move <strong>in</strong> its passage from <strong>the</strong><br />

n<strong>in</strong>eteenth century to <strong>the</strong> twentieth. As we shall see, hypnotism places a key role <strong>in</strong> <strong>the</strong><br />

discourse <strong>of</strong> alien abduction. As late as <strong>the</strong> n<strong>in</strong>eteenth century, <strong>the</strong> power <strong>in</strong>vested <strong>in</strong> <strong>the</strong><br />

<strong>in</strong>vocation <strong>of</strong> a somnambulant state was decidedly skewed toward <strong>the</strong> hypnotist. It was an<br />

exertion <strong>of</strong> will that put <strong>the</strong> subject <strong>in</strong>to a “magnetic” trance. Over <strong>the</strong> course <strong>of</strong> <strong>the</strong> n<strong>in</strong>eteenth<br />

and <strong>in</strong>to <strong>the</strong> twentieth century, <strong>the</strong> understand<strong>in</strong>g shifted toward <strong>the</strong> o<strong>the</strong>r end <strong>of</strong> <strong>the</strong> cont<strong>in</strong>uum.<br />

James Braid (1795-1860), a Manchester surgeon who used mesmerism <strong>in</strong> his practice, and who<br />

co<strong>in</strong>ed <strong>the</strong> now more common term “hypnotism,” held that <strong>the</strong> successful <strong>in</strong>duction <strong>of</strong> trance<br />

state depended solely upon <strong>the</strong> subject’s belief. It was through <strong>the</strong> work <strong>of</strong> Braid and <strong>the</strong><br />

elaboration <strong>of</strong> that work <strong>in</strong> France by <strong>the</strong> Nancy School that <strong>the</strong> foundations <strong>of</strong> modern<br />

hypnotism emerged.<br />

A second way that Puységur’s work departed from that <strong>of</strong> his Viennese teacher was <strong>in</strong> <strong>the</strong><br />

somnambulant state itself. The cures provided by Mesmer were consistently preceded by <strong>the</strong><br />

patient enter<strong>in</strong>g <strong>in</strong>to a convulsive fit or crise. Mesmer considered <strong>the</strong> crise an <strong>in</strong>tegral part <strong>of</strong> his<br />

curative process, but Puységur was appalled by such “hellish convulsions” and pursued a method<br />

purged <strong>of</strong> this distasteful element. 32<br />

Replac<strong>in</strong>g <strong>the</strong> crise, whe<strong>the</strong>r through design or accident,<br />

was <strong>the</strong> taciturn and utterly plastic state <strong>of</strong> “magnetic” trance. The opposition between <strong>the</strong><br />

uncontrollable fit <strong>of</strong> muscular spasm that characterized <strong>the</strong> crise and <strong>the</strong> pliant, restful state <strong>of</strong><br />

Puységur’s trance could not be more pronounced. In part, <strong>the</strong> shift away from <strong>the</strong> crise is notable<br />

because <strong>of</strong> <strong>the</strong> ways <strong>in</strong> which it rendered Mesmerism more palatable to an <strong>American</strong> sensibility.<br />

The mechanisms <strong>of</strong> crise and release strongly suggest sexual parallels and Mesmer “freely<br />

admitted employ<strong>in</strong>g a corps <strong>of</strong> young men to apply ‘subtle pressures upon <strong>the</strong> breasts with <strong>the</strong><br />

f<strong>in</strong>gertips’ and to place <strong>the</strong>ir hands ‘<strong>in</strong> <strong>the</strong> neighborhood <strong>of</strong> <strong>the</strong> most sensitive parts <strong>of</strong> <strong>the</strong> body’”<br />

when treat<strong>in</strong>g his predom<strong>in</strong>antly upper-middle class female clients. “Mesmer epitomized<br />

32 Brown, 2.<br />

30

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