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A Genealogy of the Extraterrestrial in American Culture

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centrally <strong>in</strong>form Spiritualism was his ra<strong>the</strong>r homely vision <strong>of</strong> Heaven. The sense that <strong>the</strong> dead<br />

ma<strong>in</strong>ta<strong>in</strong>ed much <strong>of</strong> <strong>the</strong>ir humanity <strong>in</strong> <strong>the</strong>ir heavenly existence did much to demystify and<br />

desanctify traditional ideas <strong>of</strong> <strong>the</strong> afterlife—an <strong>in</strong>tegral dynamic <strong>in</strong> <strong>the</strong> craft<strong>in</strong>g <strong>of</strong> a “new”<br />

enchantment for a rational age. It also m<strong>in</strong>imized <strong>the</strong> gap between humanity’s current state and<br />

its hoped for perfection. Angels resid<strong>in</strong>g <strong>in</strong> <strong>the</strong> utopian afterlife were wholly recognizable and<br />

comprehensible <strong>in</strong> Swedenborg’s scheme. “After <strong>the</strong> dissolution <strong>of</strong> <strong>the</strong> body, a man’s spirit<br />

appears <strong>in</strong> <strong>the</strong> spiritual world <strong>in</strong> <strong>the</strong> human form altoge<strong>the</strong>r as <strong>in</strong> <strong>the</strong> natural world.” 45<br />

This sense<br />

<strong>of</strong> <strong>the</strong> dead’s humanity closed <strong>the</strong> gap between this world and <strong>the</strong> next, putt<strong>in</strong>g one <strong>in</strong><br />

communication with <strong>the</strong> o<strong>the</strong>r. Swedenborg bypassed God <strong>in</strong> his explorations <strong>of</strong> <strong>the</strong> afterlife.<br />

His l<strong>in</strong>e <strong>of</strong> communication led directly to <strong>the</strong> dead, or as he called <strong>the</strong>m, <strong>the</strong> angels. Unlike<br />

prayer, a unidirectional mode <strong>of</strong> communication, with no promise <strong>of</strong> return, Swedenborg’s<br />

<strong>in</strong>quiries were subject to <strong>the</strong> receipt <strong>of</strong> direct reply—a shift that anticipated <strong>the</strong> replacement <strong>of</strong><br />

<strong>the</strong> uncerta<strong>in</strong>ty <strong>of</strong> written correspondence and its tw<strong>in</strong> displacements <strong>of</strong> time and space with <strong>the</strong><br />

near and actual simultaneity <strong>of</strong> telegraphy and telephony. This strong sense <strong>of</strong> <strong>the</strong> close<br />

cont<strong>in</strong>uity <strong>of</strong> life and life after death and <strong>the</strong> familiarity <strong>of</strong> <strong>the</strong> dead, <strong>the</strong> immediacy <strong>of</strong> <strong>the</strong><br />

exchange between liv<strong>in</strong>g and dead and <strong>the</strong> fact that one could readily recognize oneself <strong>in</strong> <strong>the</strong><br />

dead’s comportment, would be both key to Spiritualism’s popular success and <strong>in</strong>strumental <strong>in</strong> its<br />

demise. All <strong>the</strong> aforementioned traits also contributed to align<strong>in</strong>g <strong>the</strong> world <strong>of</strong> spirit and <strong>the</strong><br />

world <strong>of</strong> <strong>the</strong> observable.<br />

Fur<strong>the</strong>rmore, Swedenborg’s status as a man <strong>of</strong> science, his presentation <strong>of</strong> his f<strong>in</strong>d<strong>in</strong>gs <strong>in</strong><br />

ponderous Lat<strong>in</strong> prose and <strong>the</strong> quotidian nature <strong>of</strong> his descriptions <strong>of</strong> <strong>the</strong> afterlife all lent a pat<strong>in</strong>a<br />

<strong>of</strong> scientific respectability to his spectral perambulations. His assessment <strong>of</strong> <strong>the</strong> afterlife was<br />

based not upon faith, or wisdom received by holy writ, but ra<strong>the</strong>r via experimentation, direct<br />

observation and experience—all align<strong>in</strong>g with sound empirical practice. In this sense,<br />

Swedenborg’s was a Modern faith and constituted an early moment <strong>of</strong> neo-enchantment. The<br />

45 Epes Sargent, The Scientific Basis <strong>of</strong> Spiritualism (Boston: Colby and Rich, 1881) 370.<br />

37

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