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A Genealogy of the Extraterrestrial in American Culture

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Everyth<strong>in</strong>g is now. The past is now; <strong>the</strong> present is now; <strong>the</strong> future is now. Opposites exist<br />

toge<strong>the</strong>r without any <strong>in</strong>congruity whatsoever. Th<strong>in</strong>gs are and are not all at <strong>the</strong> same time<br />

[emphasis <strong>in</strong> <strong>the</strong> orig<strong>in</strong>al].” 285<br />

The logics <strong>of</strong> dream and myth, as discussed <strong>in</strong> <strong>the</strong> <strong>in</strong>troduction to<br />

this <strong>the</strong>sis, centrally <strong>in</strong>form <strong>the</strong> displaced utopian imag<strong>in</strong>ary. Myth, as def<strong>in</strong>ed by Northrop Frye,<br />

is centrally concerned simultaneously with both <strong>the</strong> “apocalyptic” and <strong>the</strong> “demonic.” The<br />

collapse <strong>of</strong> <strong>the</strong> b<strong>in</strong>ary utopian/dystopian is central to <strong>the</strong> way <strong>the</strong> UFO and <strong>the</strong> extraterrestrial are<br />

read culturally. The literature concern<strong>in</strong>g <strong>the</strong> phenomenon (and here I am referr<strong>in</strong>g to literature<br />

that flows from a position <strong>of</strong> belief) tends to hew to ei<strong>the</strong>r one or <strong>the</strong> o<strong>the</strong>r mode <strong>of</strong><br />

understand<strong>in</strong>g. The utopian view imag<strong>in</strong>es <strong>the</strong> presence <strong>of</strong> alien visitors as a sign <strong>of</strong> benign<br />

<strong>in</strong>tervention—an <strong>in</strong>tervention that po<strong>in</strong>ts <strong>the</strong> way to <strong>the</strong> full development <strong>of</strong> human potential.<br />

The dystopian view elaborates a vision <strong>of</strong> nefarious <strong>in</strong>truders, bent on <strong>the</strong> manipulation and<br />

exploitation <strong>of</strong> all humank<strong>in</strong>d. Yet <strong>the</strong>re is a third position, one that departs from <strong>the</strong> b<strong>in</strong>ary<br />

logic <strong>of</strong> ei<strong>the</strong>r/or and construes <strong>the</strong> alien presence as both beneficent and destructive. It is this<br />

position that abduction br<strong>in</strong>gs to <strong>the</strong> fore.<br />

The application <strong>of</strong> <strong>the</strong> myth <strong>of</strong> <strong>the</strong> benevolent space bro<strong>the</strong>rs to <strong>the</strong> terrify<strong>in</strong>g and bizarre<br />

<strong>in</strong>cursions <strong>of</strong> <strong>the</strong> grays seems, prima facie, absurd. The struggle to read <strong>the</strong> abduction<br />

phenomenon through earlier tropes <strong>of</strong> alien contact is both evidence <strong>of</strong> <strong>the</strong> constant human<br />

tendency to render <strong>the</strong> alien <strong>in</strong> terms <strong>of</strong> <strong>the</strong> familiar, a sort <strong>of</strong> cultural anthropomorphism and a<br />

more general cont<strong>in</strong>uation <strong>of</strong> <strong>the</strong> established tendency to rescue some stability, some<br />

ma<strong>in</strong>tenance <strong>of</strong> sameness from a fundamentally centrifugal scenario. The urgency <strong>of</strong> this<br />

ma<strong>in</strong>tenance is stepped up <strong>in</strong> <strong>the</strong> abduction scenario. The alien is no longer recognizably human.<br />

In fact, its residual resemblance to <strong>the</strong> human figure heightens ra<strong>the</strong>r than undoes its<br />

285 Fuller, 278.<br />

198

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