A Genealogy of the Extraterrestrial in American Culture
A Genealogy of the Extraterrestrial in American Culture
A Genealogy of the Extraterrestrial in American Culture
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o<strong>the</strong>r myth. You will recall that <strong>in</strong> <strong>the</strong> cycle <strong>of</strong> racial histories, it is whites that have always<br />
been <strong>in</strong> ascendancy. If movement to <strong>the</strong> “next level” was imm<strong>in</strong>ent, it would make sense that<br />
humanity’s more perfect future selves would be white. There was a whiff <strong>of</strong> <strong>the</strong> “oriental” about<br />
Adamski’s space bro<strong>the</strong>rs (also consistent with <strong>the</strong> <strong>the</strong>osophical predilection for <strong>the</strong> Tibetan)<br />
with eyes slightly aslant and high cheekbones “but not so high as an Indian or an Oriental.” The<br />
overall impression was more Elf<strong>in</strong> than Asian. Orthon was someth<strong>in</strong>g <strong>of</strong> a racial amalgam, but<br />
he never fully left <strong>the</strong> conf<strong>in</strong>es <strong>of</strong> Whiteness. Apparently when Earthl<strong>in</strong>gs approach perfection it<br />
will be as white people.<br />
The sense <strong>of</strong> border cross<strong>in</strong>g <strong>in</strong>dicated by Orthon’s almost racial o<strong>the</strong>rness extended to<br />
Orthon’s gender as well, for his beauty was that <strong>of</strong> a woman. F<strong>in</strong>e tapered hands, “<strong>the</strong> beautiful<br />
hands <strong>of</strong> an artistic woman,” s<strong>of</strong>t sk<strong>in</strong>, no facial (and presumably body) hair and a head <strong>of</strong> hair to<br />
die for, but lest we stray too far <strong>in</strong> our sense <strong>of</strong> his fem<strong>in</strong><strong>in</strong>e beauty, render<strong>in</strong>g Orthon too exotic,<br />
Adamski observes that Orthon “was def<strong>in</strong>itely a man.” This constant sense <strong>of</strong> great beauty<br />
attended <strong>the</strong> descriptions <strong>of</strong> all <strong>of</strong> Adamski’s contacts, as it did <strong>in</strong> Ballard, Pelley and<br />
Swedenborg before him. The note <strong>of</strong> sensual pleasure <strong>in</strong> Adamski’s description was present <strong>in</strong><br />
all <strong>of</strong> <strong>the</strong> passages where<strong>in</strong> he described extraterrestrial encounters. Thus while <strong>the</strong> space<br />
bro<strong>the</strong>rs may have been alien <strong>in</strong> some ways, <strong>the</strong>ir aes<strong>the</strong>tic appeal was wholly keyed to terrestrial<br />
sensibilities. The space bro<strong>the</strong>rs, like <strong>the</strong> ascended masters and spirits before <strong>the</strong>m, were alien<br />
but not too alien. Also like those earlier precedents, Adamski’s pr<strong>of</strong>fered vision was one <strong>in</strong><br />
which humanity’s future was comprehensible to <strong>the</strong>n current human sensibilities. Just as<br />
Spiritualism was predicated on <strong>the</strong> survival <strong>of</strong> human personality, <strong>the</strong> displaced utopian<br />
imag<strong>in</strong>ary as discussed thus far was predicated on <strong>the</strong> survival <strong>of</strong> <strong>the</strong> recognizably human. That<br />
everyth<strong>in</strong>g about <strong>the</strong> aliens and <strong>the</strong>ir craft was pleas<strong>in</strong>g to <strong>the</strong> senses, to <strong>the</strong> po<strong>in</strong>t <strong>of</strong> creat<strong>in</strong>g a<br />
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