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A Genealogy of the Extraterrestrial in American Culture

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positive version), <strong>the</strong> call is for humanity to literally and metaphorically lay down its arms.<br />

Duplication is not <strong>the</strong> “goal” so much as simultaneous transcendence and embrace <strong>of</strong> difference.<br />

CONCLUSION<br />

Whereas <strong>the</strong> utopian currents <strong>of</strong> <strong>the</strong> n<strong>in</strong>eteenth century <strong>in</strong>voked a set <strong>of</strong> material transformations<br />

as <strong>the</strong> response to human suffer<strong>in</strong>g, those <strong>of</strong> <strong>the</strong> later twentieth respond to what has been<br />

understood as <strong>the</strong> pre-em<strong>in</strong>ent disease <strong>of</strong> <strong>the</strong> latter century—alienation. Here<strong>in</strong> lies one <strong>of</strong> <strong>the</strong><br />

fundamental ironies <strong>of</strong> <strong>the</strong> displaced utopian imag<strong>in</strong>ary <strong>in</strong> <strong>the</strong> late twentieth century—it is<br />

through sunder<strong>in</strong>g one’s understood relation to self and embrac<strong>in</strong>g <strong>the</strong> alien that alienation is<br />

escaped. Each <strong>of</strong> <strong>the</strong> moments discussed <strong>in</strong> this document have <strong>in</strong>volved an effort to br<strong>in</strong>g <strong>the</strong><br />

abject back <strong>in</strong>to circulation. The abject is that “exorbitant outside or <strong>in</strong>side ejected beyond <strong>the</strong><br />

scope <strong>of</strong> <strong>the</strong> possible, tolerable, th<strong>in</strong>kable... It lies <strong>the</strong>re quite close, but it cannot be<br />

assimilated.” 318<br />

The abject is a “constitutive outside—<strong>the</strong> unspeakable, <strong>the</strong> unviable, <strong>the</strong> nonnarrativizable”<br />

319<br />

The world <strong>of</strong> spirit, <strong>the</strong> power <strong>of</strong> <strong>the</strong> fem<strong>in</strong><strong>in</strong>e, surrender and dissolution as<br />

modes <strong>of</strong> practice—all banished to <strong>the</strong> marg<strong>in</strong>s as potentially disruptive <strong>of</strong> a dom<strong>in</strong>ant<br />

worldview that values mascul<strong>in</strong>e virtues above all. Positivism and its cognate forms valorized<br />

visibility, clarity, vigor and mastery and thus depended upon <strong>the</strong> abjection <strong>of</strong> <strong>the</strong> very content<br />

and modes <strong>of</strong> practice that Spiritualism and its <strong>of</strong>fspr<strong>in</strong>g <strong>in</strong>troduced back <strong>in</strong>to public discourse.<br />

This set <strong>of</strong> practices and content is <strong>the</strong> constitutive outside <strong>of</strong> rational order.<br />

Abduction also re-<strong>in</strong>troduced <strong>the</strong> abject—both at <strong>the</strong> level <strong>of</strong> <strong>the</strong> abduction narrative and<br />

at <strong>the</strong> level <strong>of</strong> experience. Abduction marked a departure from those earlier moments, all <strong>of</strong><br />

which stopped short <strong>of</strong> <strong>the</strong> dis<strong>in</strong>tegration promised by <strong>the</strong> contemplation <strong>of</strong> <strong>the</strong> abject and <strong>the</strong><br />

318 Julia Kristeva, The Powers <strong>of</strong> Horror: An Essay on Abjection (New York: Columbia University Press, 1982) 1.<br />

319 Judith Butler, “Argu<strong>in</strong>g with <strong>the</strong> Real” <strong>in</strong> Bodies That Matter: on <strong>the</strong> Discursive limits <strong>of</strong> “Sex” (New York:<br />

Routledge, 1993) 188.<br />

221

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