Boxoffice-July.01/1950
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)<br />
Martin Circuit Forms<br />
Construction Plan<br />
( Continued from page 39<br />
the speaker posts should be put down at<br />
this time.<br />
"Personally, I think the wires for the<br />
speakers should be coiled underground and<br />
the base set up. Any surfacing which is<br />
planned ihould be applied before the<br />
speaker stands are set."<br />
In planning the drive-in layout, Brady<br />
warned against slighting the concession<br />
stand. "This is one area which will be in<br />
bright light when visited by the patrons.<br />
By all means it should open to the front<br />
and have adequate room to display as<br />
much merchandise as possible.<br />
"It must be built for systematic selling<br />
since you will have very little time at the<br />
break to care for the crowd. You will find<br />
your sales at drive-ins will far exceed those<br />
of a conventional theatre," Brady added,<br />
listing as products offered by the Martin<br />
refreshment service operations: hot dogs,<br />
hamburgers, french fries, sno-cones. coffee,<br />
popcorn and candy.<br />
In commenting on restrooms, which he<br />
stated should be ample to handle intermission<br />
crowds and near to refreshment<br />
service counters, Brady said their experience<br />
had indicated customers are taking<br />
better care of drive-in restrooms than conventional<br />
houses.<br />
"In our first drive-in we spaced speaker<br />
posts on 18-foot centers," Brady explained,<br />
"but we have since gone to 19-foot spacing,<br />
and in some cases as high as 20 feet. It is<br />
surprising to see the amount of difference<br />
a foot will make.<br />
"We are locating the manager's office in<br />
the boxoffice to put him close to the most<br />
important part of the operation, the<br />
money," Brady explained, adding, "I believe<br />
most of you will agree that he should<br />
be at the front to greet his patrons."<br />
Arriving at a discussion of the screen<br />
tower, Brady recommended, for the small,<br />
economical operation, a screen tower of<br />
laminated 2x6-foot timbers, braced with<br />
2x6 and 2x4-foot stock, to be covered by<br />
tempered masonite or transite. Brady<br />
pointed out that this was for towers that<br />
did not exceed 40 feet in height. For larger<br />
towers he recommended laminated 2x8-<br />
foot stock, concrete block or steel.<br />
"We have found in some instances where<br />
the theatre location is in a thickly populated<br />
area that a barbed wire fence around<br />
the entire area was necessary. By all<br />
means, make arrangements to Lock up at<br />
night with gates, or at least with a chain<br />
across entrance and exit," he suggested.<br />
Brady added that from their experience<br />
they had found drive-ins to require more<br />
storage space than the conventional theatre,<br />
and suggested that builders make provision<br />
for such facilities. As an added item,<br />
he recommended the construction of an<br />
incinerator, outside the theatre area, for<br />
disposal of trash.<br />
"In north Georgia," Brady pointed out,<br />
"most of you will have crushed stone or<br />
granite within a reasonable distance. Where<br />
the base is set up with enough clay, we<br />
have had very good success, with a single<br />
application of small stone. After this has<br />
been watered and rolled you have a surface<br />
that will hold up very well and can<br />
be maintained very easily.<br />
"The best surfacing," he added, "is<br />
naturally the most expensive. What is<br />
known as single surfacing treatment or<br />
plant-mixed asphalt is by far the most<br />
permanent and successful.<br />
"When we built our first drive-in, the<br />
675-car Rexview in Columbus, Ga., we<br />
used individual lights on each speaker post.<br />
This was not only very costly but proved<br />
very inefficient." Brady admitted that there<br />
has been a vast improvement in individual<br />
lighting and that he had had no experience<br />
with the new type of junction post lights,<br />
which, he thought, should be good.<br />
"Since then," he went on to say. "we<br />
started by using three or four 60-foot poles<br />
with six 200-watt lights on each pole. We<br />
are now using one pole located on the<br />
center line back of the last ramp and have<br />
reduced the lighting to six lOO-watt bulbs.<br />
"This has proved most successful from<br />
an initial as well as an operating cost<br />
standpoint."<br />
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BOXOFFICE :: July 1, <strong>1950</strong> 49