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Boxoffice-July.01/1950

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^He interprets with light<br />

• This scene, from the moment of its conception,<br />

had dramatic possibilities. But it<br />

was the director of photography who made<br />

them more than possibilities.<br />

His was the creative skill, the spectacular,<br />

interpretive use of light that produced<br />

actual drama, vivid, gripping . . . his the<br />

perceptive use of photography that made<br />

the scene an intense moment of visual<br />

reality.<br />

To get the utmost from his special skill,<br />

his creative ability, the director of photography<br />

naturally wants a superior film, one<br />

on which he can depend, one perfectly<br />

suited to the conditions and circumstances<br />

under which he's working. That's why he<br />

so often prefers Eastman Plus-X for general<br />

studio and outdoor use . . . and why<br />

he turns to Eastman Super-XX for use<br />

under adverse lighting conditions.<br />

EASTMAN KODAK COMPANY<br />

ROCHESTER 4, N. Y.<br />

J. E. BRULATOUR, INC., DISTRIBUTORS<br />

FORT LEE • CHICAGO • HOLLYWOOD<br />

BOXOFFICE :: July 1, <strong>1950</strong><br />

S3

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