Boxoffice-May.03.1952
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A Manual of<br />
Drive-In<br />
Design and Operation<br />
MODERNIZING YOUR DRIVE-IN THEATRE<br />
This is the last installment of a series of 20<br />
articles which hove appeared in the<br />
MODERN THEATRE Section<br />
r RECEDING THE LAST WORLD WAR, and immediately thereafter,<br />
a comparatively large number of drive-in theatres were<br />
built as cheaply as possible in an effort to cash in on this type<br />
of entertainment before it became passe. Now, however, that<br />
the demand for this type of theatre is increasing, it becomes<br />
imperative that these sub-standard operations be modernized<br />
if they are to compete with the newer type of drive-ins.<br />
It is always more costly to remodel than it is to build properly<br />
in the first instance, but in view of the fact that the original<br />
investment in the majority of these sub-standard jobs has been<br />
entirely amortised, it stands to reason that the cost of any<br />
modernization will actually be paid out of earnings so that it<br />
is to the best interests of the exhibitor to bring his theatre up-todate<br />
at the earliest possible date.<br />
The problem of installing in-car speakers is perhaps the<br />
most costly item involved since this work requires that ramps<br />
be cut up in order to install the underground wiring circuits.<br />
Prior to placing these circuits it is advisable that the sight lines<br />
from all ramp locations be checked by an experienced engineer<br />
to be sure they are suitable for a larger screen area or for additional<br />
ramps.<br />
The next project for the modernizing program is the surfacing<br />
of the ramp area and the driveways. It is actually surprising to<br />
see the large number of 700 to 1,000-car drive-in theatres that<br />
do not have proper surfacing.<br />
Before surfacing the areas, sight lines should be checked to<br />
preclude the possibility of having to make alterations in them<br />
after the surfacing work is completed. The ramp area is actually<br />
the very foundation of a modern drive-in theatre and it should<br />
be surfaced in a manner that will prevent surface water from<br />
penetrating the subgrade; it should provide a smooth surface<br />
for pedestrian traffic; and it should have sufficient abrasive<br />
material to provide traction for automobiles on the sUppery<br />
nights which frequently occur.<br />
by GEORGE M. PETERSEN<br />
The screen structure on many of these sub-standard jobs<br />
also requires attention both as to the size of the screen proper<br />
and as to the architectural appearance from the highway. The<br />
successful indoor exhibitor is most particular regarding the appearance<br />
of his marquee and his lobby and the drive-in theatre<br />
exhibitor should be equally interested in the landscaping and<br />
in the attractiveness of the highway elevation of his theatre.<br />
Due to the fact that many of the early screen structures<br />
were erected by carpenters who had no experience in computing<br />
loads and stresses in the materials, it is not advisable to add to an<br />
existing structure until a thorough check has been completed<br />
of the structural members, the connections, the size and weights<br />
of the footings, the size of the anchor bolts, etc. This checking<br />
should be done by an experienced and capable engineer. The<br />
fact that a screen structure has stood for several years is no<br />
assurance that it will continue to stand after it has been enlarged.<br />
A structure 45 feet high may withstand the pressure exerted<br />
by the normal winds in a certain locality but such winds may tax<br />
the sti'ucture to the maximum limit so that an additional added<br />
height of only a few feet could cause a complete failure. Recent<br />
court decisions in cases of claims for damages caused by the<br />
failure of improperly designed screen structures proves all too<br />
clearly that it is not advisable for the exhibitor to take a chance<br />
on the design of such structures. -a<br />
There are three principle methods that may be used to properly<br />
enlarge the screen structure. I. If the enlarging is to be completed<br />
during the closed season the existing structure may be<br />
wrecked and the salvaged material may be reused in the new<br />
structure. 2. An entirely new structure may be erected on the<br />
highway side of the existing structure and the existing structure<br />
can then be removed. 3. A new structure may be erected around<br />
the existing structure. However, this method is not recommended<br />
unless all details of the existing structure have been<br />
checked as previously mentioned since the additional pressure<br />
will add to the load of the existing structure.<br />
As the highway elevation of the screen structure is the most<br />
valuable advertising space available to the exhibitor it should<br />
be developed to the utmost and this result may be obtained at<br />
i<br />
54 The MODERN THEATRE SECTION