20.08.2014 Views

Boxoffice-May.03.1952

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

A Manual of<br />

Drive-In<br />

Design and Operation<br />

MODERNIZING YOUR DRIVE-IN THEATRE<br />

This is the last installment of a series of 20<br />

articles which hove appeared in the<br />

MODERN THEATRE Section<br />

r RECEDING THE LAST WORLD WAR, and immediately thereafter,<br />

a comparatively large number of drive-in theatres were<br />

built as cheaply as possible in an effort to cash in on this type<br />

of entertainment before it became passe. Now, however, that<br />

the demand for this type of theatre is increasing, it becomes<br />

imperative that these sub-standard operations be modernized<br />

if they are to compete with the newer type of drive-ins.<br />

It is always more costly to remodel than it is to build properly<br />

in the first instance, but in view of the fact that the original<br />

investment in the majority of these sub-standard jobs has been<br />

entirely amortised, it stands to reason that the cost of any<br />

modernization will actually be paid out of earnings so that it<br />

is to the best interests of the exhibitor to bring his theatre up-todate<br />

at the earliest possible date.<br />

The problem of installing in-car speakers is perhaps the<br />

most costly item involved since this work requires that ramps<br />

be cut up in order to install the underground wiring circuits.<br />

Prior to placing these circuits it is advisable that the sight lines<br />

from all ramp locations be checked by an experienced engineer<br />

to be sure they are suitable for a larger screen area or for additional<br />

ramps.<br />

The next project for the modernizing program is the surfacing<br />

of the ramp area and the driveways. It is actually surprising to<br />

see the large number of 700 to 1,000-car drive-in theatres that<br />

do not have proper surfacing.<br />

Before surfacing the areas, sight lines should be checked to<br />

preclude the possibility of having to make alterations in them<br />

after the surfacing work is completed. The ramp area is actually<br />

the very foundation of a modern drive-in theatre and it should<br />

be surfaced in a manner that will prevent surface water from<br />

penetrating the subgrade; it should provide a smooth surface<br />

for pedestrian traffic; and it should have sufficient abrasive<br />

material to provide traction for automobiles on the sUppery<br />

nights which frequently occur.<br />

by GEORGE M. PETERSEN<br />

The screen structure on many of these sub-standard jobs<br />

also requires attention both as to the size of the screen proper<br />

and as to the architectural appearance from the highway. The<br />

successful indoor exhibitor is most particular regarding the appearance<br />

of his marquee and his lobby and the drive-in theatre<br />

exhibitor should be equally interested in the landscaping and<br />

in the attractiveness of the highway elevation of his theatre.<br />

Due to the fact that many of the early screen structures<br />

were erected by carpenters who had no experience in computing<br />

loads and stresses in the materials, it is not advisable to add to an<br />

existing structure until a thorough check has been completed<br />

of the structural members, the connections, the size and weights<br />

of the footings, the size of the anchor bolts, etc. This checking<br />

should be done by an experienced and capable engineer. The<br />

fact that a screen structure has stood for several years is no<br />

assurance that it will continue to stand after it has been enlarged.<br />

A structure 45 feet high may withstand the pressure exerted<br />

by the normal winds in a certain locality but such winds may tax<br />

the sti'ucture to the maximum limit so that an additional added<br />

height of only a few feet could cause a complete failure. Recent<br />

court decisions in cases of claims for damages caused by the<br />

failure of improperly designed screen structures proves all too<br />

clearly that it is not advisable for the exhibitor to take a chance<br />

on the design of such structures. -a<br />

There are three principle methods that may be used to properly<br />

enlarge the screen structure. I. If the enlarging is to be completed<br />

during the closed season the existing structure may be<br />

wrecked and the salvaged material may be reused in the new<br />

structure. 2. An entirely new structure may be erected on the<br />

highway side of the existing structure and the existing structure<br />

can then be removed. 3. A new structure may be erected around<br />

the existing structure. However, this method is not recommended<br />

unless all details of the existing structure have been<br />

checked as previously mentioned since the additional pressure<br />

will add to the load of the existing structure.<br />

As the highway elevation of the screen structure is the most<br />

valuable advertising space available to the exhibitor it should<br />

be developed to the utmost and this result may be obtained at<br />

i<br />

54 The MODERN THEATRE SECTION

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!