Boxoffice-May.03.1952
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Opinions on Current Productions; Exploitips<br />
fpfiTuiip<br />
M'mm<br />
(FOR STORY SYNOPStS ON EACH PICTURE, SEE REVERSE SIDE)<br />
Carson City F (w.ltclr)<br />
Wornar Bros. (123) 89 Minutes Rel. lune 14, '52<br />
Resplendent in the new WarnerColor, which in its second<br />
appearance is again effectively employed, here is an<br />
aclioner which on all counts earns evaluation as a superwestern.<br />
Although the plot concerns itself with railroad building<br />
against terrific odds—a subject much used in recent outsize<br />
gallopers—the yarn is carefully and logically developed<br />
and projects enough new twists to offset the stigma of<br />
stereotyping. Producer David Weisbart pinched no pennies<br />
in endowing the offering with impressive mountings, while<br />
Director Andre De Toth took full advantage of the solid script<br />
and a competent cast. Randolph Scott, characteristically<br />
rugged, gives the sagebrush devotees a brimming measure<br />
of fisticuffs, riding, shooting—and even a touch of romance.<br />
In the supporting cast, Raymond Massey, who doles out the<br />
villainy—and in wholesale lots—is the standout. Cast and<br />
color are, of course, best angles tor exploitation.<br />
Randolph Scott. Lucille Norman, Rayniond Massey, Richard<br />
Webb, James Millican, Larry Keating, George Cleveland.<br />
Kred<br />
I<br />
is this stirring saga of the heroic contribution made by ai.<br />
unsung branch of the U.S. army to winning the second global<br />
conflict. The picture has suspense, action, spectacle, com-<br />
^''y °"