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Boxoffice-May.03.1952

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Opinions on Current Productions; Exploitips<br />

fpfiTuiip<br />

M'mm<br />

(FOR STORY SYNOPStS ON EACH PICTURE, SEE REVERSE SIDE)<br />

Carson City F (w.ltclr)<br />

Wornar Bros. (123) 89 Minutes Rel. lune 14, '52<br />

Resplendent in the new WarnerColor, which in its second<br />

appearance is again effectively employed, here is an<br />

aclioner which on all counts earns evaluation as a superwestern.<br />

Although the plot concerns itself with railroad building<br />

against terrific odds—a subject much used in recent outsize<br />

gallopers—the yarn is carefully and logically developed<br />

and projects enough new twists to offset the stigma of<br />

stereotyping. Producer David Weisbart pinched no pennies<br />

in endowing the offering with impressive mountings, while<br />

Director Andre De Toth took full advantage of the solid script<br />

and a competent cast. Randolph Scott, characteristically<br />

rugged, gives the sagebrush devotees a brimming measure<br />

of fisticuffs, riding, shooting—and even a touch of romance.<br />

In the supporting cast, Raymond Massey, who doles out the<br />

villainy—and in wholesale lots—is the standout. Cast and<br />

color are, of course, best angles tor exploitation.<br />

Randolph Scott. Lucille Norman, Rayniond Massey, Richard<br />

Webb, James Millican, Larry Keating, George Cleveland.<br />

Kred<br />

I<br />

is this stirring saga of the heroic contribution made by ai.<br />

unsung branch of the U.S. army to winning the second global<br />

conflict. The picture has suspense, action, spectacle, com-<br />

^''y °"

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