Languages & Literatures 2011 | 1 | - Peter Lang
Languages & Literatures 2011 | 1 | - Peter Lang
Languages & Literatures 2011 | 1 | - Peter Lang
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56 Romance <strong><strong>Lang</strong>uages</strong> and <strong>Literatures</strong> · Romanistik · <strong>Lang</strong>ues et littératures romanes<br />
V<br />
Hugh P . McGrath / Michael Comenetz<br />
Valéry’s Graveyard<br />
aléry’s Graveyard is in two parts . The<br />
first part presents the French text of<br />
Paul Valéry’s poem Le Cimetière marin (The<br />
Graveyard by the Sea) and a facing English<br />
translation, followed by a descriptive account<br />
of the poem that sets out its main structural<br />
and dynamic features and traces its narrative<br />
. The second part consists of nine short<br />
chapters on selected themes of the poem in<br />
their relation to the poet’s thought, including<br />
certain of his scientific concerns, and to<br />
literature ancient and modern .<br />
Le Cimetière marin is one of the most celebrated<br />
works of poetry of the last hundred<br />
years, widely recognized as distinguished for<br />
beauty of form and wealth of meaning . On<br />
the basis of the French text and a translation<br />
that is at once accurate and poetical, this book<br />
provides an introduction to the poem, and<br />
thereby to the complex intellectual world of<br />
Valéry . It exhibits the depth and breadth both<br />
of the poem and of the poet’s thought .<br />
A valuable resource for scholars, Valéry’s<br />
Graveyard is accessible to all serious readers .<br />
John McKeane / Hannes Opelz (eds)<br />
Blanchot Romantique<br />
A Collection of Essays<br />
Oxford, Bern, Berlin, Bruxelles,<br />
Frankfurt am Main, New York, Wien, <strong>2011</strong> . 329 pp .<br />
Romanticism and after in France . Vol . 17<br />
Edited by Patrick McGuinness<br />
pb . ISBN 978-3-03911-973-8<br />
CHF 73 .– / € D 50 .– / € A 51 .40 / € 46 .70 /<br />
£ 42 .– / US-$ 72 .95<br />
T<br />
he work of French writer and essayist<br />
Maurice Blanchot (1907-2003) is without<br />
doubt among the most challenging the<br />
twentieth century has to offer . Contemporary<br />
debate in literature, philosophy, and politics<br />
has yet to fully acknowledge its discreet<br />
but enduring impact . Arising from a conference<br />
that took place in Oxford in 2009, this<br />
book sets itself a simple, if daunting, task:<br />
Le Cimetière marin<br />
Translated, Described, and Peopled<br />
New York, Bern, Berlin, Bruxelles, Frankfurt am Main, Oxford, Wien, <strong>2011</strong> .<br />
XIV, 200 pp ., num . ill .<br />
Currents in Comparative Romance <strong><strong>Lang</strong>uages</strong> and <strong>Literatures</strong> . Vol . 186<br />
General Editors: Tamara Alvarez-Detrell and Michael G . Paulson<br />
hb . ISBN 978-1-4331-1334-5<br />
CHF 75 .– / € D 51 .70 / € A 53 .10 / € 48 .30 / £ 43 .50 / US-$ 74 .95<br />
€ D includes VAT – valid for Germany · € A includes VAT – valid for Austria<br />
As it does not require a knowledge of French,<br />
the book is suitable for study in any course<br />
on modern literature .<br />
hugh P. MCgRath (1914-1995) took degrees<br />
in French language and literature at<br />
the University of Liverpool and the Sorbonne,<br />
and served in British Army counterintelligence<br />
in the Second World War . From 1947<br />
until near the end of his life he taught at St .<br />
John’s College in Annapolis, Maryland . He<br />
wrote on literary, philosophical, and educational<br />
subjects, and was known for his public<br />
readings of poetry in English and French .<br />
MiChael CoMenetz studied mathematics,<br />
physics, and literature at Johns Hopkins<br />
University, and received a PhD in mathematics<br />
from Brandeis University . Since 1975 he<br />
has been at St . John’s College, where he has<br />
taught literature in French and other languages,<br />
and has held the National Endowment<br />
for the Humanities chair . He has published<br />
articles in mathematics and on literature,<br />
and is the author of Calculus: The<br />
Elements (2002) .<br />
that of measuring the impact and responding<br />
to the challenge of Blanchot’s work by addressing<br />
its engagement with the Romantic<br />
legacy, in particular (but not only) that of the<br />
Jena Romantics . Drawing upon a wide range<br />
of philosophers and poets associated directly<br />
or indirectly with German Romanticism<br />
(Kant, Fichte, Goethe, Jean Paul, Novalis, the<br />
Schlegels, Hölderlin), the authors of this volume<br />
explore how Blanchot’s fictional, critical,<br />
and fragmentary texts rewrite and rethink<br />
the Romantic demand in relation to<br />
questions of criticism and reflexivity, irony<br />
and subjectivity, narrative and genre, the<br />
sublime and the neutre, the Work and the<br />
fragment, quotation and translation . Reading<br />
Blanchot with or against key twentiethcentury<br />
thinkers (Benjamin, Foucault, de<br />
Man), they also examine Romantic and post-<br />
Romantic notions of history, imagination,<br />
literary theory, melancholy, affect, love, revo-<br />
lution, community, and other central themes<br />
that Blanchot’s writings deploy across the<br />
century from Jean-Paul Sartre to Jean-Luc<br />
Nancy . This book contains contributions in<br />
both English and French .<br />
ContentS: Hannes Opelz/John McKeane:<br />
Introduction: The Absolute, the Fragmentary<br />
• Gisèle Berkman : ‘Une histoire dans le romantisme<br />
?’ Maurice Blanchot et l’Athenæum<br />
• Christophe Bident : Le Neutre est-il une notion<br />
romantique ? • Yves Gilonne : L’Auto-réflexivité<br />
du sublime • Michael Holland:<br />
Blanchot and Jean Paul • Sergey Zenkin: Transformations<br />
of Romantic Love • Jérémie<br />
Majorel : Au moment voulu : de mélancolie<br />
en mélancolie • Ian MacLachlan: Blanchot<br />
and the Romantic Imagination • Jake Wadham:<br />
Blanchot, Benjamin, and the Absence<br />
of the Work • Hector Kollias: Unworking<br />
Irony’s Work: Blanchot and de Man Reading<br />
Schlegel • Leslie Hill: ‘A Fine Madness’: Translation,<br />
Quotation, the Fragmentary • Maebh<br />
Long: A Step Askew: Ironic Parabasis in Blanchot<br />
• Martin Crowley: Even now, now, very<br />
now • Ian James: The Narrow Margin • Parham<br />
Shahrjerdi : Écrire la révolution .<br />
John MCKeane is Laming Junior Fellow<br />
of the Queen’s College, Oxford . His current<br />
research looks at the work of Maurice Blanchot<br />
as it opens towards the fragmentary and the<br />
neutre .<br />
hanneS oPelz studied in London, Paris,<br />
Bologna, and Cambridge . His current research<br />
concentrates on the work of Maurice Blanchot<br />
and on what takes place between literature,<br />
politics, philosophy, and experience .<br />
Pierre-Alexis Mével /<br />
Helen Tattam (eds/éds .)<br />
<strong>Lang</strong>uage and its Contexts<br />
Transposition and Transformation<br />
of Meaning?<br />
Le <strong>Lang</strong>age et ses contextes<br />
Transposition et transformation<br />
du sens ?<br />
Oxford, Bern, Berlin, Bruxelles,<br />
Frankfurt am Main, New York, Wien, 2010 .<br />
254 pp ., num . ill ., tables and graphs<br />
Modern French Identities . Vol . 91<br />
Edited by <strong>Peter</strong> Collier<br />
I<br />
pb . ISBN 978-3-0343-0128-2<br />
CHF 57 .– / € D 39 .30 / € A 40 .40 / € 36 .70 /<br />
£ 33 .– / US-$ 56 .95<br />
nspired by a postgraduate French studies<br />
conference (University of Nottingham,<br />
10 September 2008), this volume explores<br />
linguistic form and content in rela-