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Languages & Literatures 2011 | 1 | - Peter Lang

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56 Romance <strong><strong>Lang</strong>uages</strong> and <strong>Literatures</strong> · Romanistik · <strong>Lang</strong>ues et littératures romanes<br />

V<br />

Hugh P . McGrath / Michael Comenetz<br />

Valéry’s Graveyard<br />

aléry’s Graveyard is in two parts . The<br />

first part presents the French text of<br />

Paul Valéry’s poem Le Cimetière marin (The<br />

Graveyard by the Sea) and a facing English<br />

translation, followed by a descriptive account<br />

of the poem that sets out its main structural<br />

and dynamic features and traces its narrative<br />

. The second part consists of nine short<br />

chapters on selected themes of the poem in<br />

their relation to the poet’s thought, including<br />

certain of his scientific concerns, and to<br />

literature ancient and modern .<br />

Le Cimetière marin is one of the most celebrated<br />

works of poetry of the last hundred<br />

years, widely recognized as distinguished for<br />

beauty of form and wealth of meaning . On<br />

the basis of the French text and a translation<br />

that is at once accurate and poetical, this book<br />

provides an introduction to the poem, and<br />

thereby to the complex intellectual world of<br />

Valéry . It exhibits the depth and breadth both<br />

of the poem and of the poet’s thought .<br />

A valuable resource for scholars, Valéry’s<br />

Graveyard is accessible to all serious readers .<br />

John McKeane / Hannes Opelz (eds)<br />

Blanchot Romantique<br />

A Collection of Essays<br />

Oxford, Bern, Berlin, Bruxelles,<br />

Frankfurt am Main, New York, Wien, <strong>2011</strong> . 329 pp .<br />

Romanticism and after in France . Vol . 17<br />

Edited by Patrick McGuinness<br />

pb . ISBN 978-3-03911-973-8<br />

CHF 73 .– / € D 50 .– / € A 51 .40 / € 46 .70 /<br />

£ 42 .– / US-$ 72 .95<br />

T<br />

he work of French writer and essayist<br />

Maurice Blanchot (1907-2003) is without<br />

doubt among the most challenging the<br />

twentieth century has to offer . Contemporary<br />

debate in literature, philosophy, and politics<br />

has yet to fully acknowledge its discreet<br />

but enduring impact . Arising from a conference<br />

that took place in Oxford in 2009, this<br />

book sets itself a simple, if daunting, task:<br />

Le Cimetière marin<br />

Translated, Described, and Peopled<br />

New York, Bern, Berlin, Bruxelles, Frankfurt am Main, Oxford, Wien, <strong>2011</strong> .<br />

XIV, 200 pp ., num . ill .<br />

Currents in Comparative Romance <strong><strong>Lang</strong>uages</strong> and <strong>Literatures</strong> . Vol . 186<br />

General Editors: Tamara Alvarez-Detrell and Michael G . Paulson<br />

hb . ISBN 978-1-4331-1334-5<br />

CHF 75 .– / € D 51 .70 / € A 53 .10 / € 48 .30 / £ 43 .50 / US-$ 74 .95<br />

€ D includes VAT – valid for Germany · € A includes VAT – valid for Austria<br />

As it does not require a knowledge of French,<br />

the book is suitable for study in any course<br />

on modern literature .<br />

hugh P. MCgRath (1914-1995) took degrees<br />

in French language and literature at<br />

the University of Liverpool and the Sorbonne,<br />

and served in British Army counterintelligence<br />

in the Second World War . From 1947<br />

until near the end of his life he taught at St .<br />

John’s College in Annapolis, Maryland . He<br />

wrote on literary, philosophical, and educational<br />

subjects, and was known for his public<br />

readings of poetry in English and French .<br />

MiChael CoMenetz studied mathematics,<br />

physics, and literature at Johns Hopkins<br />

University, and received a PhD in mathematics<br />

from Brandeis University . Since 1975 he<br />

has been at St . John’s College, where he has<br />

taught literature in French and other languages,<br />

and has held the National Endowment<br />

for the Humanities chair . He has published<br />

articles in mathematics and on literature,<br />

and is the author of Calculus: The<br />

Elements (2002) .<br />

that of measuring the impact and responding<br />

to the challenge of Blanchot’s work by addressing<br />

its engagement with the Romantic<br />

legacy, in particular (but not only) that of the<br />

Jena Romantics . Drawing upon a wide range<br />

of philosophers and poets associated directly<br />

or indirectly with German Romanticism<br />

(Kant, Fichte, Goethe, Jean Paul, Novalis, the<br />

Schlegels, Hölderlin), the authors of this volume<br />

explore how Blanchot’s fictional, critical,<br />

and fragmentary texts rewrite and rethink<br />

the Romantic demand in relation to<br />

questions of criticism and reflexivity, irony<br />

and subjectivity, narrative and genre, the<br />

sublime and the neutre, the Work and the<br />

fragment, quotation and translation . Reading<br />

Blanchot with or against key twentiethcentury<br />

thinkers (Benjamin, Foucault, de<br />

Man), they also examine Romantic and post-<br />

Romantic notions of history, imagination,<br />

literary theory, melancholy, affect, love, revo-<br />

lution, community, and other central themes<br />

that Blanchot’s writings deploy across the<br />

century from Jean-Paul Sartre to Jean-Luc<br />

Nancy . This book contains contributions in<br />

both English and French .<br />

ContentS: Hannes Opelz/John McKeane:<br />

Introduction: The Absolute, the Fragmentary<br />

• Gisèle Berkman : ‘Une histoire dans le romantisme<br />

?’ Maurice Blanchot et l’Athenæum<br />

• Christophe Bident : Le Neutre est-il une notion<br />

romantique ? • Yves Gilonne : L’Auto-réflexivité<br />

du sublime • Michael Holland:<br />

Blanchot and Jean Paul • Sergey Zenkin: Transformations<br />

of Romantic Love • Jérémie<br />

Majorel : Au moment voulu : de mélancolie<br />

en mélancolie • Ian MacLachlan: Blanchot<br />

and the Romantic Imagination • Jake Wadham:<br />

Blanchot, Benjamin, and the Absence<br />

of the Work • Hector Kollias: Unworking<br />

Irony’s Work: Blanchot and de Man Reading<br />

Schlegel • Leslie Hill: ‘A Fine Madness’: Translation,<br />

Quotation, the Fragmentary • Maebh<br />

Long: A Step Askew: Ironic Parabasis in Blanchot<br />

• Martin Crowley: Even now, now, very<br />

now • Ian James: The Narrow Margin • Parham<br />

Shahrjerdi : Écrire la révolution .<br />

John MCKeane is Laming Junior Fellow<br />

of the Queen’s College, Oxford . His current<br />

research looks at the work of Maurice Blanchot<br />

as it opens towards the fragmentary and the<br />

neutre .<br />

hanneS oPelz studied in London, Paris,<br />

Bologna, and Cambridge . His current research<br />

concentrates on the work of Maurice Blanchot<br />

and on what takes place between literature,<br />

politics, philosophy, and experience .<br />

Pierre-Alexis Mével /<br />

Helen Tattam (eds/éds .)<br />

<strong>Lang</strong>uage and its Contexts<br />

Transposition and Transformation<br />

of Meaning?<br />

Le <strong>Lang</strong>age et ses contextes<br />

Transposition et transformation<br />

du sens ?<br />

Oxford, Bern, Berlin, Bruxelles,<br />

Frankfurt am Main, New York, Wien, 2010 .<br />

254 pp ., num . ill ., tables and graphs<br />

Modern French Identities . Vol . 91<br />

Edited by <strong>Peter</strong> Collier<br />

I<br />

pb . ISBN 978-3-0343-0128-2<br />

CHF 57 .– / € D 39 .30 / € A 40 .40 / € 36 .70 /<br />

£ 33 .– / US-$ 56 .95<br />

nspired by a postgraduate French studies<br />

conference (University of Nottingham,<br />

10 September 2008), this volume explores<br />

linguistic form and content in rela-

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