Languages & Literatures 2011 | 1 | - Peter Lang
Languages & Literatures 2011 | 1 | - Peter Lang
Languages & Literatures 2011 | 1 | - Peter Lang
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4 English <strong>Lang</strong>uage and <strong>Literatures</strong> · Anglistik · <strong>Lang</strong>ue et littératures anglaises<br />
Francesca Bugliani Knox<br />
The Eye of the Eagle<br />
John Donne and the Legacy<br />
of Ignatius Loyola<br />
Oxford, Bern, Berlin, Bruxelles,<br />
Frankfurt am Main, New York, Wien, <strong>2011</strong> .<br />
XIV, 342 pp ., 1 ill .<br />
Religions and Discourse . Vol . 49<br />
Edited by James M .M . Francis<br />
J<br />
pb . ISBN 978-3-0343-0225-8<br />
CHF 76 .– / € D 52 .30 / € A 53 .80 / € 48 .90 /<br />
£ 44 .– / US-$ 75 .95<br />
ohn Donne’s family were committed Catholics<br />
. His two uncles were Jesuits . One of<br />
them, Jasper Heywood, was the leader of the<br />
Jesuit mission in England, while Donne’s<br />
mother was a recusant who was forced to<br />
leave the country in 1595 . In this detailed and<br />
historically contextualized study, the author<br />
argues that Donne was greatly influenced in<br />
his journey from militant Roman Catholicism<br />
to ordination in the Church of England<br />
by Ignatius of Loyola’s religious ideals and in<br />
particular by his Spiritual Exercises .<br />
The book describes the pervasive influence<br />
of the Spiritual Exercises on late sixteenth-<br />
and early seventeenth-century Catholicism<br />
and Protestantism . In this light, it<br />
offers a close reading of Donne’s preordination<br />
religious poems and prose with constant<br />
reference to the sermons . These works are<br />
usually read through the tinted lenses of<br />
‘Catholicism’ or ‘Protestantism’ or other religious<br />
‘-isms’ . The reading proposed here argues<br />
instead that Ignatius’s Spiritual Exercises<br />
were for Donne a means to transcend<br />
the simplistic and perilous divisions of contemporary<br />
Catholicism and Protestantism .<br />
FRanCeSCa Bugliani Knox graduated in<br />
1976 from Pisa University (Dott . Lett .) and<br />
was senior lecturer in the English Department<br />
of the Università IULM, Milan, from<br />
1986 to 2002 . In 2009 she was awarded a PhD<br />
by Heythrop College, University of London .<br />
She is now Research Fellow at Heythrop College<br />
and Teaching Fellow at UCL . Her publications<br />
include translations into Italian as<br />
well as books and articles on various aspects<br />
of English and Italian literature from the Renaissance<br />
to the present .<br />
T<br />
€ D includes VAT – valid for Germany · € A includes VAT – valid for Austria<br />
Clive Bush<br />
The Century’s Midnight<br />
he Century’s Midnight is an exploration<br />
of the literary and political relationships<br />
between a number of ideologically sophisticated<br />
American and European writers<br />
during a mid-twentieth century dominated<br />
by the Second World War . Clive Bush offers<br />
an account of an intelligent and diverse community<br />
of people of good will, transcending<br />
national, ideological and cultural barriers .<br />
Although structured around five central figures<br />
– the novelist Victor Serge, the editors<br />
Dwight Macdonald and Dorothy Norman,<br />
the cultural critic Lewis Mumford and the<br />
poet Muriel Rukeyser – the book examines<br />
a wealth of European and American writers<br />
including Hannah Arendt, Simone de Beauvoir,<br />
Walter Benjamin, John Dos Passos, André<br />
T<br />
Dissenting European and American Writers<br />
in the Era of the Second World War<br />
Oxford, 2010 . XIV, 594 pp ., 4 ill .<br />
hb . ISBN 978-1-906165-25-3<br />
CHF 78 .– / € D 53 .50 / € A 55 .– / € 50 .– / £ 45 .– / US-$ 77 .95<br />
Valentina Castagna<br />
Shape-Shifting Tales<br />
his book provides an analysis of the representation<br />
of women’s bodies and their<br />
monstrous metamorphoses in selected short<br />
stories by contemporary English writer Michèle<br />
Roberts . The author explores the relationship<br />
between traditional fairy tales such as the<br />
Grimm Brothers’ and Charles Perrault’s, the<br />
lives of female saints and Roberts’s counternarratives,<br />
focussing on the analysis of images<br />
of sublimed fleshliness and of acts of<br />
monstrous violence on the body . The book<br />
takes into account relevant Women’s Studies<br />
criticism regarding the mother-daughter re-<br />
Gide, Henry Miller, Anaïs Nin, George Orwell,<br />
Boris Pilniak, Albert Camus, Jean-Paul Sartre,<br />
Ignacio Silone and Richard Wright .<br />
The book’s central theme relates politics and<br />
literature to time and narrative . The author<br />
argues that knowledge of the writers of this<br />
period is of inestimable value in attempting<br />
to understand our contemporary world .<br />
Clive BuSh is Emeritus Professor of American<br />
Literature at King’s College London . He pioneered<br />
the teaching of American Studies at<br />
the University of Warwick from 1966 to 1990 .<br />
His books include Halfway to Revolution: Investigation<br />
and Crisis in the Work of Henry<br />
Adams, William James and Gertrude Stein (1991)<br />
and Holding the Line: Selected Essays in American<br />
Literature and Culture (<strong>Peter</strong> <strong>Lang</strong>, 2009) .<br />
Michèle Roberts’s Monstrous Women<br />
Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Oxford, Wien, 2010 .<br />
127 pp .<br />
pb . ISBN 978-3-0343-0568-6<br />
CHF 40 .– / € D 27 .60 / € A 28 .40 / € 25 .80 / £ 23 .20 / US-$ 39 .95<br />
lationship, as Roberts’s stories question the<br />
role of mother figures in traditional fairy tales<br />
and hagiography and at the same time rework<br />
the concept of motherhood itself .<br />
valentina CaStagna is a Postdoctoral<br />
Research Fellow at the University of Palermo<br />
(Italy) . She was Visiting PhD Student at Birkbeck<br />
College, University of London, in 2005<br />
and was awarded her PhD from the University<br />
of Salerno (Italy) in 2007 . She is the author of<br />
Corpi a pezzi (2007) and has recently edited<br />
the Italian critical version of Marina Warner’s<br />
Brigit’s Cell (2010) .<br />
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