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Undergraduate Catalog 2008-2010 - Immaculata University

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candidates demonstrate functional performance skills in<br />

acoustic guitar. In accordance with this requirement, all Music<br />

Education majors must pass a Guitar Proficiency Exam by the<br />

end of senior year in order to graduate.<br />

REQUIREMENTS FOR MINOR<br />

• Music: MUSC 104, 130, 131, 132, 133, 134 or 135, three<br />

credits from 102, 341, or 342 two credits in Applied Music;<br />

two credits selected from ensembles 180-195.<br />

• Music Technology: Eighteen credits to include two of the<br />

following courses: MUSC 134, 135, 136, 235 or 236, 242,<br />

247, 253, 254; CIS 214 and 335.<br />

• Liturgical Studies (Music and Theology): MUSC 195 (a<br />

minimum of two credits) and six selected music credits; THE<br />

306, THE 403 and two of the following: THE 110, THE 311,<br />

THE 321.<br />

MUSIC<br />

MUSC 090 Music Convocation (0)<br />

This course is a series of recitals and music seminars held<br />

weekly throughout the semester. The content for this course will<br />

include student recitals, guest recitals, music seminars, and<br />

attendance at other on-campus and off-campus concerts. Required<br />

each semester of all music majors who are enrolled full-time and/or<br />

taking applied lessons.<br />

MUSC 100 Music Fundamentals (3)<br />

Thorough review of music essentials: learning to hear, sing, and<br />

write music through a keyboard-laboratory approach.<br />

MUSC 102 World Music (3)<br />

This cross-cultural course explores the diverse array of global<br />

music which represent the mainstream as well as the perimeter of<br />

the world’s musical languages. Varied media, Internet, and live<br />

performances will be included. Open to students of all disciplines.<br />

(Meets cross-cultural course requirement.)<br />

MUSC 103 Functional Skills (1)<br />

Private instruction for one-half hour weekly. This course<br />

concentrates on learning functional or proficiency skills in piano,<br />

voice, or guitar and is a requirement for all Music Therapy majors.<br />

Course may be repeated.<br />

MUSC 104 The Enjoyment of Music (1)<br />

This course is designed to be a mini-Music Appreciation course<br />

where a brief overview of all styles of music from the Baroque Era to<br />

the present day will be discussed. Focus will be on learning how to<br />

listen to all styles of music. No prior knowledge of music required.<br />

MUSC 105 Voice Class (1)<br />

Introduction to principles of correct vocal production through<br />

voice building and song literature. Required of all music students<br />

except those whose major performance area is voice.<br />

MUSC 106 Diction Class (1)<br />

Group instruction on the correct pronunciation and enunciation<br />

for singing classical music repertoire in the most commonly used<br />

foreign and native languages. These languages include French,<br />

Italian, German, and English. Required of all music students whose<br />

major performance area is voice.<br />

MUSC 107 Brass Methods (1)<br />

Overview of teaching procedures for beginning class instruction.<br />

Methods and techniques for learning basic performing skills on<br />

various brass instruments with applications for music teaching and<br />

learning theory.<br />

MUSC 108 Percussion Methods (1)<br />

Overview of teaching procedures for beginning class instruction.<br />

Methods and techniques for learning basic performing skills on<br />

various percussion instruments with applications for music teaching<br />

and learning theory.<br />

MUSC 117 Guitar Class (1)<br />

This course is designed to provide students with a functional and<br />

practical knowledge of fundamental guitar skills. These skills<br />

include basic techniques for chording, strumming, accompanying,<br />

picking, and reading guitar ligatures. This course is required for<br />

Music Education majors and will assist in the passing of the Guitar<br />

Proficiency Exam (GPE) required by PDE.<br />

MUSC 130 Music Theory I (2)<br />

The study of basic principles of four-part writing. Focus will be<br />

on the tonic, subdominant, dominant, supertonic, and leading-tone<br />

triads in both major and minor keys. The concept of non-harmonic<br />

tones will be introduced. Using computer composition software,<br />

students will compose, edit, and analyze four-part chorales (50<br />

minutes lecture, 100 minutes laboratory) (Co-requisite: MUSC 131).<br />

MUSC 131 Aural Skills I (2)<br />

Classroom and computer-assisted ear-training will include basic<br />

melodic, rhythmic, and harmonic dictation. Sight-singing will<br />

focus on diatonic major melodies based on scalar patterns and on<br />

tonic, subdominant, dominant, supertonic, and leading-tone triads.<br />

The three forms of the minor scales will be introduced (50 minutes<br />

lecture, 100 minutes laboratory) (Co-requisite: MUSC 130).<br />

MUSC 132 Music Theory II (2)<br />

A continuation of four-part writing and analysis using all<br />

diatonic chords and non-harmonic tones. Secondary dominants and<br />

elementary modulation will be introduced. Using computer<br />

composition software, students will compose, edit and analyze fourpart<br />

chorales (50 minutes lecture, 100 minutes laboratory) (Corequisite:<br />

MUSC 133).<br />

MUSC 133 Aural Skills II (2)<br />

Classroom and computer-assisted ear-training will include<br />

increased melody length, varied meters, beat subdivisions, and<br />

patterns derived from secondary harmony. Sight-singing will<br />

emphasize both major and minor melodies and occasional<br />

chromaticism. Students will sing short chorale passages in four<br />

parts (1 hour lecture, 1 hour laboratory) (Co-requisite: MUSC 132).<br />

MUSC 134 Piano Lab for Non-Music Majors (1)<br />

Designed for the non-music major with emphasis on how to read<br />

music, coordinating two hands in playing the keyboard,<br />

understanding melodies, playing chords for popular music and<br />

learning how rhythm is contained within the piano as a percussion<br />

instrument. No Prerequisites.<br />

MUSC 135 Piano Laboratory I (1)<br />

Sequential development of functional piano skills with emphasis<br />

on keyboard and mechanics, technique, accompaniment styles, and<br />

style of Popular music.<br />

MUSC 136 Piano Laboratory II (1)<br />

Sequential development of functional piano skills with emphasis<br />

on scales and chords of the major mode and an understanding of the<br />

cyclical relationship between melody and harmony. Popular music<br />

and fake books are utilized (Prerequisite: MUSC 135 or permission<br />

of the instructor).<br />

86

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