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The Anthropology Of Genocide - WNLibrary

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170 annihilating difference<br />

that the degree of human goodness that one possessed was directly proportional<br />

to the width of one’s nose. Hutu stereotypically have wider noses than Tutsi.<br />

In other instances the styles affected in the improvised uniforms of the Interhamwe<br />

militia, their gestures, and body language showed the influence of James<br />

Bond, Bruce Lee, Rambo, and Arnold Schwarzenegger films, all of which were<br />

readily available and popular in pregenocide Rwanda. Violence, it would appear,<br />

has its fashions and its styles, and these are partly transnational in origin.<br />

THE RWANDAN GENOCIDE AND<br />

HISTORICAL TRANSFORMATION<br />

Although I believe that the imagery of flow and obstruction was pervasive during<br />

the genocide, it would be wrong to conclude from the above argument that Rwandan<br />

culture is simply a machine a tropes constantly replicating the same structures and<br />

hermetically sealed off from all influences arising from within or beyond its borders.<br />

As Bourdieu (1977, 1990) maintains, people tend to reproduce the “structured<br />

and structuring logic” of the habitus. Nevertheless, although older generations subtly<br />

inculcate this logic to their juniors, the socialization process is never perfect or<br />

complete. Transformed objective circumstances always influence socialization. <strong>The</strong><br />

tendency to reproduce a structured logic thus should not be seen as simple and volitionless<br />

replication. <strong>The</strong>re is always improvisation and innovation, even if many<br />

of the basic patterns retain their saliency.<br />

In the Rwandan instance, colonialism and concomitant transformations in economic<br />

and political conditions influenced the perception and depiction of evil. Because<br />

of these changes, the symbolism of malevolent obstruction could be applied<br />

to an entire ethnic group. This was a radical departure from the past. During precolonial<br />

times, the image of the menacing “blocking being” was confined to a limited<br />

number of individuals. <strong>The</strong>se included impa—women who had reached childbearing<br />

age and had never menstruated; impenebere—women who had reached<br />

childbearing age and had not developed breasts; individual enemies of the Rwandan<br />

king, and sorcerers. All these malevolent beings were mythically presaged in<br />

the legend about the agakeecuru and the origin of Death. Occasionally, in the rituals<br />

associated with sacred kingship, such individuals were publicly sacrificed to rid<br />

the polity of their potentially nefarious influence.<br />

It was not until Tutsi and Hutu ethnic identities had become substantialized under<br />

colonialism, and then privileges were awarded by the colonial rulers on the<br />

basis of these identities, that an entire group of people could be thought of as a<br />

source of obstruction to the polity as a whole. Tutsi could be easily assimilated to<br />

the category of “invaders” because of their alliance with German, then Belgian,<br />

outsiders and the colonialists’ reliance on Hamitic theories. When Belgians quickly<br />

shifted their allegiance to Hutu in the late 1950s, supporting the Hutu Revolution,<br />

Tutsi were left to fend for themselves while retaining their substantialized identity.<br />

Tutsi assimilation to the imagery of malevolent others, “blocked” or “blocking be-

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