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The Anthropology Of Genocide - WNLibrary

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350 critical reflections<br />

coffin makers, and shantytown mothers to dispatch a multitude of hungry “angelbabies”<br />

to the afterlife. In Brazil I did not begin to study state and political violence<br />

until, in the late 1980s, the half-grown sons of some of my friends and neighbors<br />

in the shantytown of Alto do Cruzeiro began to “disappear”—their mutilated bodies<br />

turning up later, the handiwork of police-infiltrated local death squads.<br />

TRISTES ANTROPOLOGIQUES<br />

In his professional memoir, After the Fact, Clifford Geertz (1995) notes somewhat<br />

wryly that he always had the uncomfortable feeling of arriving too early or too<br />

late to observe the really large and significant political events and the violent upheavals<br />

that descended on his respective field sites in Morocco and Java. But, in<br />

fact, he writes that he (understandably) consciously avoided the conflicts, moving<br />

back and forth between his respective field sites during periods of relative calm,<br />

always managing to “miss the revolution” (Starn 1992), as it were.<br />

Consequently there was nothing in Geertz’s ethnographic writings hinting at<br />

the “killing fields” that were beginning to engulf Indonesia soon after he had departed<br />

from the field, a massacre of suspected communists by Islamic fundamentalists<br />

in 1965 that rivaled more recent events in Rwanda. It was an extraordinary<br />

bloodbath—a political massacre of some sixty thousand Balinese following an unsuccessful<br />

Marxist-inspired coup in 1965. Perhaps one could interpret Geertz’s celebrated<br />

analysis of the Balinese cock fight as a coded expression of the fierce aggression<br />

lying just beneath the surface of a people whom the anthropologist<br />

otherwise described as among the most poised, controlled, and decorous in the<br />

world.<br />

Today, the world, the objects of our study, and the uses of anthropology have<br />

changed considerably. Those privileged to observe human events close up and over<br />

time and who are thereby privy to local, community, and even state secrets that<br />

are generally hidden from view until much later—after the collective graves have<br />

been discovered and the body counts made—are beginning to recognize another<br />

ethical position: to name and to identify the sources, structures, and institutions of<br />

mass violence. This new mood of political and ethical engagement (see Scheper-<br />

Hughes 1995a) has resulted in considerable soul-searching, even if long “after the<br />

fact.”<br />

Claude Levi-Strauss (1995), for example, fast approaching the end of his long<br />

and distinguished career, opened his recently published photographic memoir,<br />

Saudades do Brasil [Homesickness for Brazil], with a sobering caveat. He warned the<br />

reader that the lyrically beautiful images of “pristine” rain forest Brazilian Indians<br />

about to be presented—photos taken by him between 1935 and 1939 in the interior<br />

of Brazil—should not be trusted. <strong>The</strong> images were illusory, he cautioned. <strong>The</strong><br />

world they portray no longer exists. <strong>The</strong> starkly beautiful, seemingly timeless Nambikwara,<br />

Caduveo, and Bororo Indians captured in his photos bear no resemblance<br />

to the reduced populations one might find today camped out by the sides of busy

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