The Anthropology Of Genocide - WNLibrary

192 annihilating difference
Chandler, David P., Ben Kiernan, and Chanthou Boua. 1988. Pol Pot Plans the Future: Confidential
Leadership Documents from Democratic Kampuchea 1976–1977. Monograph Series 33.
New Haven: Yale University Southeast Asia Studies.
Chandler, David P., Ben Kiernan, and Muy Hong Lim. 1982. “The Early Phases of Liberation:
Conversations with Peang Sophi.” In Peasants and Politics in Kampuchea 1942–1981.
Ben Kiernan and Chanthou Boua, eds. Pp. 318–29. London: Zed Press.
Comaroff, Jean. 1985. Body of Power, Spirit of Resistance. Chicago: University of Chicago Press.
del Pino H., Ponciano. 1998. “Family, Culture, and ‘Revolution’: Everyday Life with Sendero
Luminoso.” In Shining and Other Paths. Steve J. Stern, ed. Pp. 158–92. Durham, N.C.: Duke
University Press, 1998.
Dith Pran. 1997. Children of Cambodia’s Killing Fields. New Haven: Yale University Press.
Foucault, Michel. 1979. Discipline and Punish. New York: Vintage Books.
Groslier, Bernard Philippe. 1965. “Danse et musique sous les rois d’Angkor.” In Felicitation
Volumes of Southeast Asian Studies. Pp. 283–92. Bangkok: Siam Society.
Heuveline, Patrick. 1998. “Between One and Three Million: Towards the Demographic Reconstruction
of a Decade of Cambodian History (1970–79).” Population Studies 52:49–65.
Him, Chanrithy. 2000. When Broken Glass Floats. New York: W. W. Norton and Company.
Hinton, Alexander Laban. 1997. “Cambodian Shadow: An Examination of the Cultural
Origins of Genocide.” Ph.D. dissertation, Emory University.
Kiernan, Ben, ed. 1993. Genocide and Democracy in Cambodia. Monograph Series 41. New
Haven: Yale University Southeast Asia Studies.
———. 1996. The Pol Pot Regime: Race, Power and Genocide in Cambodia under the Khmer Rouge,
1975–1979. New Haven: Yale University Press.
Koritz, Amy. 1996. “Re/Moving Boundaries: From Dance History to Cultural Studies.” In
Moving Words, Re-writing Dance. Gay Morris, ed. Pp. 88–103. New York: Routledge.
Lafreniere, Bree. 2000. Music through the Dark. Honolulu: University of Hawaii Press.
Laks, Szymon. 1989. Music of Another World. Evanston, Ill.: Northwestern University Press.
Locard, Henri. 1998. “Les chants revolutionnaires khmers et la tradition musicale cambodgienne
ou La Revolution triomphante.” In Khmer Studies: Knowledge of the Past and Its
Contributions to the Rehabilitation and Reconstruction of Cambodia. Sorn Samnang, ed. Pp.
309–348. Proceedings of the August 1996 International Conference on Khmer Studies.
Phnom Penh.
Manning, Susan A. 1993. Ecstasy and the Demon: Feminism and Nationalism in the Dances of Mary
Wigman. Berkeley: University of California Press.
Marston, John. 1994. “Metaphors of the Khmer Rouge.” In Cambodian Culture since 1975. May
Ebihara et al., ed. Pp. 105–18. Ithaca, N.Y.: Cornell University Press.
May, Someth. 1986. Cambodian Witness. London: Faber and Faber.
Ministry of Foreign Affairs. 1997–98. “Ieng Sary’s Regime: A Diary of the Khmer Rouge
Foreign Ministry.” Phat Kosal and Ben Kiernan, trans. Yale University Cambodian
Genocide Program website (www.yale.edu/cgp).
Ness, Sally Ann. 1992. Body, Movement, and Culture. Philadelphia: University of Pennsylvania
Press.
Ngor, Haing. 1987. A Cambodian Odyssey. New York: Macmillan.
Oum Suphany. 1997. Under the Drops of Falling Rain. Phnom Penh.
Phim, Toni Samantha [Shapiro], and Ashley Thompson. 1999. Dance in Cambodia. New York:
Oxford University Press.