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The Anthropology Of Genocide - WNLibrary

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the holocaust and german politics of memory 249<br />

unprotected and vulnerable, sought to reveal itself as a potential environmental<br />

casualty. Such a strategy, with its appeal to universal human values and its recuperation<br />

of German bodies as templates for a global ethics, unwittingly subverted<br />

recognition of existing racial inequality and ethnic difference. Leftist environmental<br />

activists invested naked bodies and white physicality with meanings that<br />

had a profound significance for the national body politic: German bodies were<br />

presented as perpetual victims of state violence.<br />

NUDE NOSTALGIA: SUBLIME NATURE<br />

AGAINST STATE VIOLENCE<br />

In contemporary Germany, during the late 1990s, when the governing apparatus<br />

was reconfigured by an uneasy alliance of leftists (the centrist Social Democrats and<br />

the radical Greens), and when German soldiers, as members of NATO, began to<br />

intervene in the war in Kosovo by dropping bombs on Serbia, the practice of public<br />

nudity was recovered as a medium of radical protest. At the national party convention<br />

of the AllianceGreens, in May 1999, the members of the New Left, now<br />

composed of old pacifists, 68ers, and government supporters, clashed with fervor<br />

over fundamental differences in ideological commitments. In this context, the naked<br />

body, as an icon of authenticity, nature, and nonviolence, was mobilized by the opponents<br />

of war. Among the utensils of protest, the whistles, posters, slogans, and<br />

blood-filled projectiles, which were hurled at Joschka Fischer (the foreign minister)<br />

and his supporters with accusations of “murder” and “war mongering,” there also<br />

surfaced the conventional male nude: “proud, almost Jesus-like, wandering about,<br />

a stark-naked opponent of war” (Spiegel 1999b:303). <strong>The</strong> male nude, stepping out of<br />

the terrain of violent memory, stood as a reminder of past left-wing radicalism, when<br />

political opposition had a purging function, and when the battle against German<br />

state authority could erase the shame of “catastrophic nationalism” (Geyer 2001).<br />

But at this convention, the arsenal of unclothed indignation was mobilized against<br />

those members of the New Left, who, as part of the German governing body, had<br />

consented to acts of military violence abroad. <strong>The</strong> dramatic use of nude masculinity<br />

sought to expose the changeover of a party, whose radical pacifism took form<br />

some twenty years ago, emerging out of a political movement of antifascist protest:<br />

the opposition to state violence. But the naked war-opponent did not verbalize his<br />

discontent. In speechless rage, he provided his well-dressed party leaders with a signpost<br />

to the beginning. <strong>The</strong> male nude, according to critical media commentary,<br />

sought to convey the following:<br />

Undress yourselves, with naked buttocks wander back to nature, so that you become<br />

just as innocent as nature itself...or like Adam and Eve in their paradise phase. Others<br />

should bite into the bitter fruit from the tree of political knowledge. But after paradise—after<br />

the party convention. (Spiegel 1999b:303)

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