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New York University Bulletin - Gallatin School of Individualized ...

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GALLATIN SCHOOL OF INDIVIDUALIZED STUDYGregory EricksonClinical Associate Pr<strong>of</strong>essorB.M. 1994, Minnesota; M.A. 1996, CUNY (Hunter); Ph.D. 2004, CUNY (Graduate Center)Gregory Erickson has taught at the <strong>Gallatin</strong> <strong>School</strong> since 2004, specializing in courses onmodern literature,popular culture,religion and music including“WritingTwentieth-CenturyMusic and Culture;”“Beyond Language:The Surreal, the Mystical, and the Monstrous;” and“Contexts <strong>of</strong> Musical Meaning.” He is the author <strong>of</strong> The Absence <strong>of</strong> God in Modernist Literature,published in 2007, and the coauthor <strong>of</strong> Religion and Popular Culture: Rescripting the Sacred,published in 2008. He has also published in journals such as the Henry James Review andthe Journal <strong>of</strong> Popular Music Studies and in several scholarly collections <strong>of</strong> essays on television.Erickson is trained as a literary scholar and as a classical musician and performs regularly withpr<strong>of</strong>essional orchestras and chamber ensembles. He is currently working on a book on heresyand the modern literary imagination.Valerie FormanAssociate Pr<strong>of</strong>essorB.S. 1986, Pennsylvania; M.A. 1989, California (Berkeley); Ph.D. 2000, California (Santa Cruz)Valerie Forman’s research and teaching interests lie in the literature and culture <strong>of</strong> 16th- and17th-century England and Europe, the early modern Caribbean, early modern drama, earlymodern women writers, early modern economic history and political theory, and Marxisttheory.She received a Ph.D.in literature from U.C.Santa Cruz,specializing in Renaissance and17th-century English literature and culture and 16th-century French literature. Before comingto <strong>Gallatin</strong>, Forman taught in the Department <strong>of</strong> English at the <strong>University</strong> <strong>of</strong> Colorado,Boulder. Her first book, Tragicomic Redemptions: Global Economics and the Early Modern EnglishStage (<strong>University</strong> <strong>of</strong> Pennsylvania Press, 2008) explores the relationship between innovationsin the theatre and new economic practices necessary to the beginnings <strong>of</strong> global trade,including that among England, the East Indies, and the Ottoman Empire. Her second bookproject, which turns to trade and cultural relations in the Caribbean, is titled Developing <strong>New</strong>Worlds: Property, Freedom, and the Economics <strong>of</strong> Representation in Early Modern England and theCaribbean. She teaches courses on theatre and politics, labor and global markets, and the rise<strong>of</strong> globalization in the early modern period.<strong>New</strong><strong>York</strong> <strong>University</strong> <strong>Bulletin</strong> 2012-2013 27

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