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New York University Bulletin - Gallatin School of Individualized ...

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GALLATIN SCHOOL OF INDIVIDUALIZED STUDY<strong>of</strong>fers a new framing for and insight into two <strong>of</strong> the most transformative movements <strong>of</strong> the20th century and their common dream <strong>of</strong> the world as a total sign system. Meltzer is beginningwork on her second book project, tentatively titled Group Photo:The Psycho-PhotographicProcess and the Making <strong>of</strong> Group Identity, which will explore the proposition that group identity—atleast since the invention <strong>of</strong> photography, if not before—has at its foundation somethingwe might call a psycho-photographic process. Meltzer has published articles, exhibitionessays, and reviews on the work <strong>of</strong> Vito Acconci, Jeanne Dunning, Roberto Jacoby, RobertMorris,Robert Smithson,Larry Sultan and PeterWegner,among others.Her course <strong>of</strong>feringsinclude “The Photographic Imaginary,”“TheThingliness <strong>of</strong>Things,”“Psychoanalysis and theVisual,”“What Was Conceptualism, and Why Won’t It Go Away?” and “Feeling, in Theory.”M. Bella MirabellaAssociate Pr<strong>of</strong>essorB.A. 1970, CUNY (Lehman College); Ph.D. 1979, RutgersBella Mirabella, associate pr<strong>of</strong>essor <strong>of</strong> literature and humanities, specializes in Renaissancestudies, with a focus on drama, theater, performance and gender. She is the editor the book,Ornamentalism:The Art <strong>of</strong> Renaissance Accessories; co-editor <strong>of</strong> Left Politics and the LiteraryPr<strong>of</strong>ession, and has written articles on women, performance and sexual politics in the MiddleAges and the Renaissance, including “Mute Rhetorics: Women, Dance, and the Gaze inRenaissance England,”“‘Quacking Delilahs’:Female Mountebanks in Early Modern Englandand Italy,” and “‘A Wording Poet:’ Othello Among the Mountebanks,” as well as “QueenElizabeth and the Dance <strong>of</strong> Diplomacy.”Her current work includes an analysis <strong>of</strong> place, objectand performance in the Renaissance. Since 1987, Pr<strong>of</strong>essor Mirabella has directed andtaught <strong>Gallatin</strong>’s Renaissance Humanities Seminar in Florence, Italy. She has received<strong>Gallatin</strong>’s Adviser <strong>of</strong> Distinction Award as well as NYU’s Great Teacher Award.Ali MirsepassiPr<strong>of</strong>essorB.A. 1974,Tehran; M.A. 1980, Ph.D. 1985,AmericanAli Mirsepassi is pr<strong>of</strong>essor <strong>of</strong> Middle Eastern studies and sociology at the <strong>Gallatin</strong> <strong>School</strong> anddirector <strong>of</strong> Iranian Studies Initiative at <strong>New</strong><strong>York</strong> <strong>University</strong>. In addition, he is associated facultyat the Middle Eastern and Islamic Studies department and affiliated faculty at the Sociologydepartment in the College <strong>of</strong> Arts <strong>of</strong> Science. From 2002 to 2007, he held severaladministrative posts in the <strong>Gallatin</strong> <strong>School</strong> Dean’s Office, most notably serving as the <strong>School</strong>’sinterim dean for two years. He was a Carnegie Scholar (2007-2009). Pr<strong>of</strong>essor Mirsepassitaught at Hampshire College,Amherst College, Mount Holyoke College, Smith College, andthe <strong>University</strong> <strong>of</strong> Massachusetts at Amherst. His teaching interests include social theories <strong>of</strong><strong>New</strong><strong>York</strong> <strong>University</strong> <strong>Bulletin</strong> 2012-2013 37

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