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The art of musical performance and the art of<br />

presentation share the same essence. That is, it’s<br />

always about bridging the distance between the<br />

artist and audience to make a real connection.<br />

If there’s no connection, there can be no<br />

conversation. This is true whether you’re pitching<br />

a new technology, explaining a new medical<br />

treatment, or playing at Carnegie Hall.<br />

To Tom Grant, performance is not an<br />

exhibition—I perform, you listen. Tom clearly feels<br />

it’s a two-way encounter. Here’s what Tom said in<br />

an interview in Smooth Vibes in 2005: “There is<br />

joy in music for the player and for the receiver. I<br />

play music because it is my calling in life. I hope<br />

it conveys a joy and benevolence that people can<br />

apply to their own lives and thus improve, if only<br />

in the tiniest way, the quality of life on earth.”<br />

Photo of Tom Grant by Owen Carey.<br />

Are not presentations about the player (presenter) and the receiver (audience)?<br />

A good tip to always remember: It’s not about us, it’s about them. And about<br />

the message.<br />

Jazz, Zen, and the Art of Connection<br />

There is a line of thinking that says if I tell you the meaning of Zen, then it<br />

wouldn’t really be Zen. The same could be said concerning the meaning of<br />

jazz. Of course, we can talk about them and label them. With our verbalization,<br />

we get close to the meanings—and the discussion may be interesting, helpful,<br />

and even inspiring. Yet we never experience the thing itself by talking about it.<br />

Zen is concerned with the thing itself. Zen is about the now—right here, right<br />

now. The essence of jazz expression is like this, too. It’s about this moment.<br />

No artificiality, no pretending to be anything you’re not. No acting. No wishing<br />

at this moment to be anywhere or with anyone except where you are.<br />

While there are many forms of jazz, if you want to at least get close to the<br />

essence of the art, then listen to the 1959 album Kind of Blue by Miles Davis.<br />

The liner notes for this classic album were written by the legendary Bill Evans,<br />

who plays piano on the recording. In these notes, Bill makes a direct reference<br />

to one of the Zen arts, sumi-e. Here are just a few lines from his notes:<br />

232 Presentation Zen

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