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2<br />

Creativity, Limitations,<br />

and Constraints<br />

In Chapter 3, we take a look at the first steps in the preparation stage. But first,<br />

let’s take a step back and look at something we usually do not think about when<br />

preparing a presentation: creativity. You may not think of yourself as being<br />

creative, let alone as a creative professional like a designer, writer, artist, and<br />

so on. But developing presentation content—especially content to be delivered<br />

with the aid of multimedia—is a creative act.<br />

Most of the students and professionals I meet in classes and seminars<br />

around the world say that they are “not very creative.” Some of this is modesty<br />

no doubt, but I think most adults genuinely believe this. They have convinced<br />

themselves that creative is just not a term they would use to describe<br />

themselves. And yet these are adults who do well in their jobs and generally<br />

have happy and productive lives. How is it that they believe they are not<br />

creative or that their jobs do not require high levels of creativity? On the other<br />

hand, if you ask a room full of young children if they are creative, you’ll see just<br />

about every hand go up. Pablo Picasso said that “all children are born artists,<br />

the problem is to remain an artist as we grow up.” The same can be said for<br />

creativity. You were born creative and you still are that creative being today, no<br />

matter what your career path. There are many ways to express your creativity,<br />

and designing and delivering an effective presentation is one way to do so.<br />

Creating presentations is a supremely creative process—or it should be.<br />

It’s as much “right brain” as it is “left brain,” and design does matter. Who<br />

said that business and creativity were mutually exclusive? Is business only<br />

about managing numbers and administration? Can’t students become better<br />

business leaders tomorrow by learning how to become better design thinkers<br />

today? Aren’t design thinking, design mindfulness, and creative thinking<br />

Chapter 2 Creativity, Limitations, and Constraints<br />

31

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