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Asking the Right Questions<br />

It is said that Buddha described the human condition as much like that<br />

of a man who has been shot with an arrow. The situation is both painful<br />

and urgent. But let’s imagine that instead of asking for immediate medical<br />

assistance for his predicament, the man asks for details about the bow that<br />

shot the arrow. He asks about the manufacturer of the arrow. He wonders<br />

about the background of the people who made the bow and arrow, how they<br />

arrived at the color choice, what kind of string they used, and so on. The man<br />

asks many inconsequential questions, overlooking the immediate problem.<br />

Our lives are a bit like this. We often do not see the reality right in front of<br />

us because we chase ephemeral things such as larger salaries, the perfect job,<br />

a bigger house, more status, etc., and we worry about losing what we have. The<br />

Buddhist would say life is filled with dukkha (suffering, pain, loss, a feeling of<br />

dissatisfaction)—we need only to open our eyes to see this. In a similar way,<br />

the current state of business and academic presentation brings about a fair<br />

amount of “suffering” in the form of ineffectiveness, wasted time, and general<br />

dissatisfaction, both for the presenter and the audience.<br />

There is much discussion today among professionals on the issue of how<br />

to make presentations and presenters better. For them, the situation is both<br />

“painful and urgent” in a sense. It’s important. Yet much of the discussion<br />

focuses on software applications and techniques. What application should I<br />

get? Should I get a Mac or a PC? What animations and transitions are best?<br />

What is the best remote control? This is not completely inconsequential, but<br />

it often dominates discussions on presentation effectiveness. The focus on<br />

technique and software often distracts us from what we should be examining.<br />

Many of us spend too much time fidgeting with and worrying about bullets and<br />

images on slides during the preparation stage instead of thinking about how to<br />

craft the story that is the most effective, memorable, and appropriate for our<br />

audience.<br />

Chapter 3 Planning Analog<br />

61

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