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Connect with Eye Contact<br />

Related to the importance of facing the audience is establishing good eye<br />

contact. Maintaining natural eye contact with the audience is crucial, which<br />

is one of the reasons I advise against reading a script or relying on notes—it’s<br />

hard to look into people’s eyes when your eyes are looking down at notes. Your<br />

eye contact should appear natural, and you achieve this by looking at actual<br />

people in the room. If you instead gaze out at the back of the room or to a<br />

point on either side of the room, your audience will detect this at some level<br />

and the connection will be weakened.<br />

If your audience is relatively small, say, under 50 or so, it may be possible<br />

to actually look everyone in the eye at some point during your talk as you move<br />

deliberately to different parts of the room. For larger audiences in a typical<br />

keynote-style presentation, it is still useful to pick out actual people to lock<br />

eyes with as you speak—even people who are sitting toward the back. By<br />

looking at one person, others near that person will feel as if you are looking at<br />

them as well. This is a technique that professional singers use when playing<br />

larger halls. It is important not to just glance at or scan general areas of a room<br />

but rather to briefly establish actual eye contact with people in different parts<br />

of the room.<br />

Put Energy in Your Voice<br />

It’s true that the best presentations seem more like good conversations, but<br />

there is a difference between speaking with two or three people over coffee<br />

and standing to present to an auditorium of 500 people after lunch. Your tone<br />

should be conversational, but your energy must be cranked up several notches.<br />

If you are enthusiastic, the energy will help project your voice. Mumbling is<br />

absolutely not permitted, and neither is shouting. Shouting is usually not<br />

sustainable and it’s very unpleasant for the audience. When you shout, the<br />

volume may go up but the richness of your voice, the peaks and valleys of<br />

your unique intonation, are lost. So stand tall, speak up, and articulate clearly,<br />

but be careful not to let your speaking evolve into shouting as you speak with<br />

energy and project your voice.<br />

Should you use a mic? If your room is a regular-size classroom or conference<br />

room with space for only 10 to 30 people, then a mic may not be necessary.<br />

But in almost every other case, a microphone is a good idea. Remember, it is<br />

not about you, it is about them. Giving the audience even just a slight bump<br />

242 Presentation Zen

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