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Fabiola : or, The church of the catacombs - Digital Repository Services

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THE TWO VICTORIES,<br />

CHAPTEE L<br />

INTBODCCTOBY AND APOLOGETIC FATHER EUSTACE.<br />

IT was !i bitter night in <strong>the</strong> dreary month <strong>of</strong> November !<br />

" What an unroniaiitic beginning !<br />

"<br />

we hear some young<br />

ardout reader exclaim and we are bound to admit that it ;<br />

really<br />

does sound very prosaical and common-place. Sitting down<br />

to peruse some "romantic st<strong>or</strong>y <strong>of</strong> thrilling interest," our<br />

breath (<strong>of</strong> course we mean our intellectual breath), is usually<br />

taken away by <strong>the</strong> overpowering grandeur <strong>of</strong> <strong>the</strong> opening<br />

ption. Gradually, however, we rally; and, collecting<br />

our scattered faculties, become able to devote <strong>the</strong>m to <strong>the</strong> due<br />

appreciation <strong>of</strong> <strong>the</strong> treat spread out bef<strong>or</strong>e us. Of course we<br />

expect to be entertained with lab<strong>or</strong>ed descriptions, and astonished<br />

with romantic adventures. We should scarcely spend<br />

our money on " <strong>The</strong> Knight <strong>of</strong> <strong>the</strong> Iron Hand, <strong>or</strong>, a Romance<br />

<strong>of</strong> Blood," if we expected to find in it ei<strong>the</strong>r truth <strong>or</strong> probability.<br />

Again, when we invest half-a-crown in Mrs. Mollop's<br />

celebrated book, " Fa<strong>the</strong>r Crossbones, <strong>or</strong> <strong>the</strong> Confess<strong>or</strong>," are<br />

we at all astonished when we find that delicate and truthful<br />

writer displaying a much m<strong>or</strong>e intimate knowledge than we<br />

valley ;<br />

appearance, we are quite prepared to welcome him as <strong>the</strong> very<br />

gentleman whom we expected to meet in such a situation. Or,<br />

we are equally ready to be transp<strong>or</strong>ted in imagination to <strong>the</strong><br />

abodes <strong>of</strong> wealth and luxury, and to be treated to an elab<strong>or</strong>ate<br />

description <strong>of</strong> <strong>the</strong> g<strong>or</strong>geous upholstery, <strong>the</strong> priceless paintings,<br />

and <strong>the</strong> eastern plants. We feel quite certain that, however<br />

much <strong>the</strong> circumstances may vary, we shall in due time be<br />

introduced to our hero, <strong>or</strong> our heroine, <strong>or</strong> to both, as <strong>the</strong> case<br />

may be. After <strong>the</strong>ir excellent qualities and perfections shall<br />

have boon sufficiently expatiated upon, we know that we shall<br />

have <strong>the</strong> felicity <strong>of</strong> making <strong>the</strong> acquaintance <strong>of</strong> <strong>the</strong> smiling<br />

villain, <strong>or</strong> 'he stem old uncle, as <strong>the</strong> st<strong>or</strong>y may require, and<br />

that, after <strong>the</strong> usual amount <strong>of</strong> unmerited sufferings, thrilling<br />

incidents, und dramatic situations, <strong>the</strong> whole affair will conclude<br />

in <strong>the</strong> legitimate and recognized manner. <strong>The</strong> three<br />

volumes are made up and sent f<strong>or</strong>th to seek <strong>the</strong>ir f<strong>or</strong>tune.<br />

<strong>The</strong> publisher is satisfied if <strong>the</strong> book sells. <strong>The</strong> auth<strong>or</strong> is<br />

i -d if <strong>the</strong> publisher has paid him. <strong>The</strong> public is satisfied<br />

ii it obtaiis a sufficient amount <strong>of</strong> romance in return f<strong>or</strong> its<br />

that you would have reason to complain at our openiug<br />

alas f<strong>or</strong> romance ours is but <strong>the</strong> repetition

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