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Proceedings of the 2009 northeastern recreation research symposium

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For some people, being in <strong>the</strong>ir special place is like<br />

traveling to a whole diff erent world.<br />

A place not too far from home that when I’m<br />

<strong>the</strong>re can take me to o<strong>the</strong>r worlds.<br />

Within <strong>the</strong> mountains is a passageway that<br />

allows entry into paradise.<br />

Imagination comes into play not only when people are<br />

at <strong>the</strong>ir special places, but also after <strong>the</strong>y have left and<br />

returned home. Imagination gives <strong>the</strong>m a way <strong>of</strong> revisiting<br />

and re-experiencing <strong>the</strong>ir special place from afar.<br />

I can see every inch <strong>of</strong> <strong>the</strong> area as if I were <strong>the</strong>re<br />

only yesterday.<br />

Th e knowledge that it’s waiting gets us thru [sic]<br />

<strong>the</strong> long crummy big-city winters. We put on<br />

videos <strong>of</strong> summers past & take mini-vacations all<br />

thru [sic] January & February.<br />

3.4 Personifi cation<br />

A fi nal way in which imagination appeared in<br />

participants’ descriptions <strong>of</strong> <strong>the</strong>ir special places is<br />

through personifi cation <strong>of</strong> <strong>the</strong> natural environment. Th e<br />

environment or some part <strong>of</strong> it is imagined to be like<br />

a person in some way. Nature as a whole is, <strong>of</strong> course,<br />

<strong>of</strong>ten personifi ed as Mo<strong>the</strong>r Nature.<br />

Th ere is nothing but you and Mo<strong>the</strong>r Nature in<br />

her fullest glory.<br />

We love and respect it and fervently hope it is<br />

not improved to death. Let Nature do what she<br />

does so well.<br />

Particular natural things or features may also be imagined<br />

in human terms.<br />

Th e wind is <strong>the</strong> artist’s hand on <strong>the</strong> drifts as<br />

<strong>the</strong> snow takes on random patterns and blows<br />

random designs.<br />

Th e pines and <strong>the</strong>ir carpet <strong>of</strong> brown needles<br />

and especial quality <strong>of</strong> silence. ... <strong>the</strong> feeling <strong>of</strong> a<br />

like-minded group <strong>of</strong> people waiting on God in<br />

worship.<br />

Th e hidden faces in nature mentioned in <strong>the</strong><br />

introduction to this paper are ano<strong>the</strong>r example <strong>of</strong><br />

personifi cation <strong>of</strong> nature. When people glimpse one <strong>of</strong><br />

<strong>the</strong>se whimsical faces, <strong>the</strong>y are in some sense personifying<br />

<strong>the</strong> natural environment – literally giving it a human<br />

face.<br />

4.0 CONCLUSION<br />

Th ese examples from <strong>the</strong> special-places surveys suggest<br />

that <strong>the</strong> faculty <strong>of</strong> imagination can come into play<br />

in experiencing natural environments in a variety<br />

<strong>of</strong> ways, and may be a signifi cant aspect <strong>of</strong> how<br />

people fi nd meaning in places that are important to<br />

<strong>the</strong>m. Th is dimension <strong>of</strong> <strong>the</strong> human-environment<br />

relationship deserves more attention from <strong>research</strong>ers<br />

in environmental psychology and related fi elds. In<br />

addition to surveys and interviews designed to draw<br />

out imaginative aspects <strong>of</strong> environmental experience,<br />

analyses <strong>of</strong> literary works, nature writings, and a variety<br />

<strong>of</strong> culturally signifi cant images and texts could help to<br />

identify how imagination enters into <strong>the</strong> development<br />

and expression <strong>of</strong> environmental meanings and values.<br />

Th e role <strong>of</strong> imagination in environmental decisionmaking<br />

could also be explored using such methods as<br />

process tracing.<br />

In a more practical vein, <strong>recreation</strong> and environmental<br />

managers should also recognize that imagination can<br />

be a means for arousing people’s interest in natural<br />

environments and fostering a sense <strong>of</strong> meaning and<br />

connection with outdoor places. Many nature educators<br />

and interpreters evidently understand this relationship<br />

and are already making use <strong>of</strong> imagination in <strong>the</strong>ir<br />

programs in a variety <strong>of</strong> ways. For example, <strong>the</strong> U.S.<br />

Forest Service has a program for archeology volunteers<br />

called “Passport in Time.” Volunteers carry “passports”<br />

that are stamped every time <strong>the</strong>y arrive at a work site,<br />

thus evoking <strong>the</strong> imaginary notion <strong>of</strong> time travel. Future<br />

<strong>research</strong> to identify <strong>the</strong> forms <strong>of</strong> imagination that are<br />

most engaging to people in experiencing nature could<br />

help to support <strong>the</strong> development <strong>of</strong> education and<br />

interpretation programs to foster meaningful connections<br />

between people and natural environments.<br />

<strong>Proceedings</strong> <strong>of</strong> <strong>the</strong> <strong>2009</strong> Nor<strong>the</strong>astern Recreation Research Symposium GTR-NRS-P-66<br />

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