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I Premio de Arquitectura Miguel Martín-Fernández de la Torre

Primera edición del Premio de Arquitectura Miguel Martín-Fernández de la Torre. El objetivo de este premio es reconocer la calidad de las obras y los trabajos arquitectónicos realizados en Gran Canaria entre los años 2008 y 2017 en cada una de estas categorías: obra nueva residencial, obra nueva otros usos, rehabilitación y restauración, diseño interior y diseño urbano y paisajismo. Los premios llevan el nombre del ilustre arquitecto Miguel Martín-Fernández de la Torre (Las Palmas de Gran Canaria, 1894-1980), figura fundamental en la historia de la arquitectura española en el periodo racionalista y principal representante de este movimiento arquitectónico en Canarias

Primera edición del Premio de Arquitectura Miguel Martín-Fernández de la Torre.

El objetivo de este premio es reconocer la calidad de las obras y los trabajos arquitectónicos realizados en Gran Canaria entre los años 2008 y 2017 en cada una de estas categorías: obra nueva residencial, obra nueva otros usos, rehabilitación y restauración, diseño interior y diseño urbano y paisajismo.

Los premios llevan el nombre del ilustre arquitecto Miguel Martín-Fernández de la Torre (Las Palmas de Gran Canaria, 1894-1980), figura fundamental en la historia de la arquitectura española en el periodo racionalista y principal representante de este movimiento arquitectónico en Canarias

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AN INVISIBLE IMAGE

We were commissioned the restoration of a cave at

Barranco de Guayedra, Agaete. Dug by man, it was an

underground space made up of five rooms that were

communicated by a central gallery. The only outside

ventilation and light came through the gallery and one

of the rooms, where there were remains of an old kitchen

and bathroom hugging the mountain face. We rebuilt the

kitchen and bathroom in their original locations and we

converted the room open to the outside as a continuation

of the kitchen. We kept the entrance of natural light and

ventilation through this natural opening. The other rooms

became a small reading room, a dressing room and the

other two became double bedrooms.

The space is magic because all the main features of the

place’s nature came into plat and were present: earth,

air, light and sea. We did not need any other resources to

empower these values. The works were carried out with

a continuous fight against a mountain that did not want

to be domesticated. The cave would talk to us when we

touched it. As if waking from a long hibernation, we felt as

if we were not welcome visitors. The most difficult aspect

was integrating the structural reinforcements into the

mountain’s guts. It was extremely demanding and the

inside spaces were very small to bring in the machinery

and to manipulate the material resources. Finally, we

managed it with constant hard work and, above all, by

respecting the environment, reinforcing where necessary

but always in harmony with the logics of its natural

structure.

However, the walls would crumble to the touch and

the second great challenge was to find a solution to

remove the abrasion while at the same time respecting

the habitability qualities. We turned to a classic: lime,

various layer reinforced with graphene. Lime is ecologic,

breathable and antiseptic, and graphene provides it

an extra hardness, resistance and flexibility. Aware that

being underground can be suffocating, we searched for

resources that would provide light, air, visual cleanness

and spaciousness. The walls are the most attractive

aspect of the cave. They breath, self-regulate the

temperature inside the space and absorb noise, therefore,

we left them nude. There are niches instead of cupboards

or wardrobes and lighting is indirect by the reflection of

the vault.

Thermal comfort is provided by nature, although health

is not. We wanted to improve the circulation of fresh air

in the inner rooms. The entrance of air is natural, but we

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