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I Premio de Arquitectura Miguel Martín-Fernández de la Torre

Primera edición del Premio de Arquitectura Miguel Martín-Fernández de la Torre. El objetivo de este premio es reconocer la calidad de las obras y los trabajos arquitectónicos realizados en Gran Canaria entre los años 2008 y 2017 en cada una de estas categorías: obra nueva residencial, obra nueva otros usos, rehabilitación y restauración, diseño interior y diseño urbano y paisajismo. Los premios llevan el nombre del ilustre arquitecto Miguel Martín-Fernández de la Torre (Las Palmas de Gran Canaria, 1894-1980), figura fundamental en la historia de la arquitectura española en el periodo racionalista y principal representante de este movimiento arquitectónico en Canarias

Primera edición del Premio de Arquitectura Miguel Martín-Fernández de la Torre.

El objetivo de este premio es reconocer la calidad de las obras y los trabajos arquitectónicos realizados en Gran Canaria entre los años 2008 y 2017 en cada una de estas categorías: obra nueva residencial, obra nueva otros usos, rehabilitación y restauración, diseño interior y diseño urbano y paisajismo.

Los premios llevan el nombre del ilustre arquitecto Miguel Martín-Fernández de la Torre (Las Palmas de Gran Canaria, 1894-1980), figura fundamental en la historia de la arquitectura española en el periodo racionalista y principal representante de este movimiento arquitectónico en Canarias

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The house is located in Agaete, in a beautiful fishing

village called Nuestra Señora de Las Nieves, in the West

of Gran Canaria. This small fishing village, with its white

buildings with blue doors and windows, offers unique

views of the port and the majestic topography of the

island and, beyond it, the Atlantic Ocean which offers

magical sunsets.

The first line of white and blue buildings, which is where

the house is located, is built like a continuous wall of

different heights where, occasionally, the limits are not

clearly visible between one building and another. The

house aims at being part of this continuity. To its rear, it

adopts the levelling given by the neighbouring buildings,

as if the urban sprawl of the village, naturally, introduced

itself into the house and created its frontage. The purpose

of this is to create the feeling that the house has always

been there, as part of the village, and promoting its

intrinsic attractiveness. To its front, the house adopts the

frontage established by local regulation; three levels, where

the first floor is projected fifty metres over the ground floor,

and the third floor setback from the rest of the frontage.

Based on this configuration, and differentiating itself from

the rest of houses, the house has large windows giving

views of the privileged landscape of its surroundings, so

that the impressive views become an infinite projection of

the interior spaces.

Inside, on the ground floor, there is a small commercial

premises and an apartment linked to the rest of the

house. On the first floor, the bedrooms and garage are

located, which are different shapes in order to adapt to the

geometry of the plot of land. On the second floor, which is

where the living room and kitchen are located, there is a

unique space that totally opens up to the terrace, created

by the setback on this level in relation to the frontage. On

this floor, the continuity of the kitchen furniture and the

concrete bench in the living room, which goes from inside

to outside, creating a spatial relationship between these

spaces which become one when the sliding terrace doors

are open.

Seen from the sea, the house preserves its original

intention of becoming part of the prevailing continuity

of the village but, at the same time, it offers the image of

something new and light.

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