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I Premio de Arquitectura Miguel Martín-Fernández de la Torre

Primera edición del Premio de Arquitectura Miguel Martín-Fernández de la Torre. El objetivo de este premio es reconocer la calidad de las obras y los trabajos arquitectónicos realizados en Gran Canaria entre los años 2008 y 2017 en cada una de estas categorías: obra nueva residencial, obra nueva otros usos, rehabilitación y restauración, diseño interior y diseño urbano y paisajismo. Los premios llevan el nombre del ilustre arquitecto Miguel Martín-Fernández de la Torre (Las Palmas de Gran Canaria, 1894-1980), figura fundamental en la historia de la arquitectura española en el periodo racionalista y principal representante de este movimiento arquitectónico en Canarias

Primera edición del Premio de Arquitectura Miguel Martín-Fernández de la Torre.

El objetivo de este premio es reconocer la calidad de las obras y los trabajos arquitectónicos realizados en Gran Canaria entre los años 2008 y 2017 en cada una de estas categorías: obra nueva residencial, obra nueva otros usos, rehabilitación y restauración, diseño interior y diseño urbano y paisajismo.

Los premios llevan el nombre del ilustre arquitecto Miguel Martín-Fernández de la Torre (Las Palmas de Gran Canaria, 1894-1980), figura fundamental en la historia de la arquitectura española en el periodo racionalista y principal representante de este movimiento arquitectónico en Canarias

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Castillo de la Luz is a castle that is not only one the most

emblematic buildings in the city of Las Palmas de Gran

Canaria due to its architectural heritage, but a witness of

the history of the archipelago. Located in La Isleta, it was

the place of arrival of the Spanish fleet in the fifteenth

century, when the first fort became the reason of its

existence and its defensive function remained until the

nineteenth century. The years have not only affected its

use and preservation, but also its immediate surroundings:

the ancient coastal fort which used to be surround by sea

at high tide, is now surrounded by the buildings of the Port

of La Luz and the city stretching out towards the tip of the

island.

The oldest section is a small tower built at the end of

the fifteenth century. A few years later, its initial size was

increased until creating a square floor which is found

today. The space between the initial tower and the

perimeter walls was filled in to improve its defence against

artillery. The fort, despite being plundered and set on fire

during the attacks suffered at the end of the sixteenth

century, managed to keep most of its original structure

until it was abandoned and left to the weather in the

twentieth century, and was rebuilt in 1969.

How should an intervention be carried out on such an

important historical building, converting it into a Sea

Museum with the installations and spaces required by

modern museum institutions?

The history of the castle itself became the inevitable

argument for the project. If the space between the outer

walls and the original tower had been kept full of soil for

five centuries, all that had to be done was empty it: this

way, the original fort would be recovered and turned into

the highlight of the new museum. This will give way to

indoor spaces that had always existed, albeit hidden from

sight. The walkway system will be reorganised to make

it appropriate for a museum, creating light walkways

and a new staircase and lift. The recently added elements

that did not belong to the original building will finally be

removed. The new spaces are to be covered with a cement

slab which will be separated from the old tower, leaving

thin gaps through which natural light will flow into the

inside.

More than re-building or restoring the castle, it will have

been emptied. We will have simply made its past visible

hoping that the building, irrespectively of the future

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