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El Alto | Queer: Gender Sexuality and the Arts in the Americas

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Brazil / Brasil

120

RENATA

CARVALHO

The Brazilian Queen Jesus

La Reina Jesús Brasileña

Renata Carvalho is an actress, director,

transpologist 1 and activist. After debuting in

theatre as a teenager in the 1990s, she excelled

(still a male actor back then) in her portrayal of

female characters in plays by some of the world’s

greatest playwrights. Before being invited to

play Jesus in The Gospel According to Jesus,

Queen of Heaven, Renata spent ten years working

as a theatre director and, simultaneously, as

a social worker providing preventive healthcare

and assistance to travesti and transsexual

people in Santos, Brazil. Through the latter,

she came into contact with one of the most

vulnerable communities in Brazil, and it was

through this experience that she discovered

and understood herself as travesti, realising the

potential political and critical agency behind

this identity and the need to liberate it from

social stigma. Despite winning awards and

critical recognition, she struggled finding new

roles - largely due to the stigma around the

travesti body, banned from spaces of power

in society and from the world of the arts in

general. Her performance in The Gospel gave her

prominence and acknowledgment as an artist.

Its production caused a national commotion and

it was censored and attacked by conservative

groups that exploited politically the issue and

tried to censor queer arts, and against which

Renata became an emblematic leader. She is

now an active voice in the Brazilian LGBTQI+

community, and does research about the trans

body in theatre. She is one of the founders of

Coletivo T, a transgender arts collective, and

participated in the creation of Monart (Brazil’s

National Movement of Trans Artists), which seeks

to increase trans representation across

the arts. She co-developed the play Domínio

Público (Public Domain), which has been

staged in festivals around the world. Recently,

she premiered Manifesto Transpofágico

(Transpophagic Manifesto), a monologue where

she historicises the travesti experience, using her

body as a vehicle.

1 - Transpology is how Renata describes her field of

study, which involves the analysis, compilation and

dissemination of the physical, social and cultural history

of the trans community.

Renata Carvalho es actriz, directora, transpóloga 1

y activista. Luego de debutar en teatro como

adolescente durante la década de 1990, se

destacó (todavía como actor en ese entonces)

© Luciane Pires Ferreira

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