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Zbornik Mednarodnega literarnega srečanja Vilenica 2003 - Ljudmila

Zbornik Mednarodnega literarnega srečanja Vilenica 2003 - Ljudmila

Zbornik Mednarodnega literarnega srečanja Vilenica 2003 - Ljudmila

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IV<br />

(ALL YOUR NIGHTS)<br />

In this night contained are all your nights<br />

All your being similar to a random<br />

Order of hours, months, years. Time lost forever<br />

Is hard to mourn.<br />

To extinguish life persistently - obviously somewhat easier.<br />

Once long ago you at least believed in some illusion<br />

Burned for some poem or woman. Today<br />

Even more distant seems that era. Now you are just<br />

In another episode that, so it would seem,<br />

Has lasted for years. In another daily act of life's termination.<br />

Your every action is already foreseen.<br />

In vain also that this sadness<br />

Is the nearly the same on all meridians, courts<br />

And dens. Because - you are nowhere!<br />

You have only invisibly risen from your solitude.<br />

It was a moment, it was life.<br />

JUSTIICATION<br />

IV<br />

I have been preparing the ingredients of my own hemlock<br />

Since a long time ago. I deny no detail;<br />

Do not give up - although it is hard to get used to<br />

The monotony of speech. Thus every fragment<br />

Has its role and complies with different time frames.<br />

I have taken pleasure in every little bit<br />

Of the poison thus mixed since a long time ago. Truly,<br />

Many want to call this writing poetry.<br />

Some complain that they heard these words before.<br />

But I continued listening to the silence,<br />

To assure myself that dead poets are being cited again.<br />

In the end, it came out that there was no flood,<br />

Closed remained the books with pictures,<br />

In which blind people seek meaning of the mirror's existence.<br />

All that I want is to lessen the enthusiasm<br />

Occasioned by gazes in to the bottom of emptied goblets.<br />

And this because every gaze sets on the final<br />

Touch of the world. They say that before committing seppuku<br />

The Samurai left farewell poems behind. Right now,<br />

As the day is withdrawing, I am thinking how<br />

Every poem is in fact a poem before death,<br />

Every effort interpreting the mirror - seppuku.<br />

176<br />

Writing<br />

Again, I am thinking in verses,<br />

Delivering words no fault of my own.<br />

I accept all complicity provoked by writing.<br />

Writing the open, under an open sky,<br />

After despair and sickness, but with the same passion.<br />

Salvation every writing.<br />

On stone, on the closed and the unknown,<br />

Even though all words are equally unknown.<br />

Writing on all the year's seasons,<br />

Apocryphal, already mastered signs.<br />

And on all meridians,<br />

Writing on the margins, dangerous writing.<br />

And, that without reason - as is, again, all writing.<br />

On the kilometres along which lonely<br />

We think how to close the emptiness of paper,<br />

How to write-in the world.<br />

Salvation also those pauses between writing.<br />

On pages already written upon,<br />

The writing of the first lines of the next poem...<br />

The magic of creation. The creation of the seductive<br />

Writing -<br />

Always a chivalry in vain.<br />

177<br />

Translated by Nikolai Jeffs

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