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The Humourous Poetry of the English Language

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405<br />

Indeed, indeed, I'm very, very sick!<br />

[EXIT HASTILY.]<br />

THE THEATER.<br />

[Footnote:"'<strong>The</strong> <strong>The</strong>ater,' by <strong>the</strong> Rev. G. Crabbe, we ra<strong>the</strong>r think,<br />

is <strong>the</strong> best piece in <strong>the</strong> collection. It is an exquisite and most<br />

masterly imitation, not only <strong>of</strong> <strong>the</strong> peculiar style, but <strong>of</strong> <strong>the</strong> taste,<br />

temper, and manner <strong>of</strong> description <strong>of</strong> that most original author. * * *<br />

It does not aim, <strong>of</strong> course, at any shadow <strong>of</strong> his pathos or moral<br />

sublimity, but seems to us to be a singularly faithful copy <strong>of</strong> his<br />

passages <strong>of</strong> mere description."--Edinburg Review.]<br />

[A BURLESQUE IMITATION OF CEABBE.--REJECTED ADDRESSES.]<br />

JAMES SMITH.<br />

Interior <strong>of</strong> a <strong>The</strong>ater described.--Pit gradually fills.-<strong>The</strong><br />

Check-taker.--Pit full.--<strong>The</strong> Orchestra tuned.--One Fiddle ra<strong>the</strong>r<br />

dilatory.--Is reproved--and repents.--Evolutions <strong>of</strong> a Play-bill.--Its<br />

final Settlement on <strong>the</strong> Spikes.--<strong>The</strong> Gods taken to task--and why.--<br />

Motley Group <strong>of</strong> Play-goers.--Holywell-street, St. Pancras.--Emanuel<br />

Jennings binds his Son apprentice--not in London--and why.--Episode <strong>of</strong><br />

<strong>the</strong> Hat.<br />

'Tis sweet to view, from half-past five to six,<br />

Our long wax-candles, with short cotton wicks,<br />

Touched by <strong>the</strong> lamplighter's Prome<strong>the</strong>an art,<br />

Start into light, and make <strong>the</strong> lighter start;<br />

To see red Phoebus through <strong>the</strong> gallery-pane<br />

Tinge with his beams <strong>the</strong> beams <strong>of</strong> Drury Lane;<br />

While gradual parties fill our widened pit,<br />

And gape, and gaze, and wonder, ere <strong>the</strong>y sit.<br />

At first, while vacant seats give choice and ease,<br />

Distant or near, <strong>the</strong>y settle where <strong>the</strong>y please;<br />

But when <strong>the</strong> multitude contracts <strong>the</strong> span,<br />

And seats are rare, <strong>the</strong>y settle where <strong>the</strong>y can.<br />

Now <strong>the</strong> full benches to late comers doom<br />

No room for standing, miscalled STANDING-ROOM.

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