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The Humourous Poetry of the English Language

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<strong>the</strong> London <strong>the</strong>aters, Jeames's adventures were dramatized. <strong>The</strong> "Prose<br />

Novelists" contain burlesque imitations <strong>of</strong> Bulwer, D'Israeli, Lever,<br />

James, Fennimore Cooper, and Mrs. Gore. <strong>The</strong> illustrations accompanying<br />

Thackeray's publications in "Punch," are by his own hand, as are also<br />

many o<strong>the</strong>r sketches scattered throughout <strong>the</strong> volumes. <strong>The</strong>y may be<br />

generally distinguished by <strong>the</strong> insertion <strong>of</strong> a pair <strong>of</strong> spectacles in<br />

<strong>the</strong> corner. His articles, too, frequently bear <strong>the</strong> signature "SPEC."<br />

Not until <strong>the</strong> commencement <strong>of</strong> 1855 did Thackeray relinquish his<br />

connection with "Punch." An allusion to this, from his pen, contained<br />

in an essay on <strong>the</strong> genius <strong>of</strong> Leech, and published in <strong>the</strong> "Westminster<br />

Review," was commented upon very bitterly by Jerrold, in a notice <strong>of</strong><br />

<strong>the</strong> article which appeared in "Lloyd's Weekly Newspaper," <strong>of</strong> which he<br />

is editor.<br />

During <strong>the</strong> last five years, o<strong>the</strong>r writers, among which may be<br />

enumerated <strong>the</strong> Mayhew bro<strong>the</strong>rs, Mr. Tom Taylor, Angus Reach, and<br />

Shirley Brooks, have found a field for <strong>the</strong>ir talents in "Punch.'Only<br />

Jerrold, a'Beckett, and <strong>the</strong> editor, Mark Lemon, remain <strong>of</strong> <strong>the</strong><br />

original contributors. Its course has been a varied, but perfectly<br />

independent one, generally, however, following <strong>the</strong> lead <strong>of</strong> <strong>the</strong><br />

almighty "Times," that glory and shame <strong>of</strong> <strong>English</strong> journalism, on<br />

political questions. In earlier days it was every way more democratic,<br />

and <strong>the</strong> continuous ridicule both <strong>of</strong> pen and pencil directed against<br />

Prince Albert, was said to have provoked so much resentment on <strong>the</strong> part<br />

<strong>of</strong> <strong>the</strong> Queen, that she proposed interference to prevent <strong>the</strong> artist<br />

Doyle supplying two frescos to <strong>the</strong> pavilion at Buckingham Palace.<br />

"Punch's" impartiality has been shown by attacks on <strong>the</strong> extremes and<br />

absurdities <strong>of</strong> all parties, and <strong>the</strong>re can be little question that it<br />

has had considerable influence in producing political reform, and a<br />

large and liberal advocacy <strong>of</strong> all popular questions. In behalf <strong>of</strong> that<br />

great change <strong>of</strong> national policy, <strong>the</strong> repeal <strong>of</strong> <strong>the</strong> Corn Laws, "Punch"<br />

fought most vigorously, not, however, forgetting to bestow a few raps<br />

<strong>of</strong> his baton on <strong>the</strong> shoulders <strong>of</strong> <strong>the</strong> Premier whose wisdom or sense <strong>of</strong><br />

expediency induced such sudden tergiversation as to bring it about.<br />

O'Connell's blatant and venal patriotism was held up to merited<br />

derision, which his less wary, but more honest followers in agitation,<br />

O'Brien, Meagher, and Mitchell, equally shared. Abolition (or at least<br />

modification) <strong>of</strong> <strong>the</strong> Game Laws, and <strong>of</strong> <strong>the</strong> penalty <strong>of</strong> death, found<br />

championship in "Punch," though <strong>the</strong> latter was summarily dropped upon a<br />

change in public opinion, perhaps mainly induced by one <strong>of</strong> Carlyle's<br />

"Latter Day" pamphlets. "Punch" has repeatedly experienced (and

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