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The Use of Iambic Pentameter in the

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from bottom-up process<strong>in</strong>g with prior knowledge about <strong>the</strong> visual world (e.g.,<br />

Biederman, 1987; Peterson, 1994; Shepard, 1983). <strong>The</strong> modification <strong>of</strong> bottom-up<br />

<strong>in</strong>formation by application <strong>of</strong> prior knowledge is considered to be a top-down process.<br />

One type <strong>of</strong> top-down process<strong>in</strong>g is <strong>the</strong> use <strong>of</strong> context for image identification.<br />

When humans are familiar with <strong>the</strong> context <strong>of</strong> an image, <strong>the</strong>y are <strong>of</strong>ten able to recognize<br />

this image at a faster rate (e.g., Palmer, 1975). For example, a neighbor outside her house<br />

might be recognized more quickly than if she were <strong>in</strong> a shopp<strong>in</strong>g mall. When see<strong>in</strong>g a<br />

neighbor <strong>in</strong> her house, humans apply what we know about who lives <strong>in</strong> that house to<br />

determ<strong>in</strong>e who is <strong>the</strong>re. It is very easy to make this determ<strong>in</strong>ation, even if our neighbor<br />

appears far away, because <strong>the</strong> object person is <strong>in</strong> a context where we <strong>of</strong>ten see her.<br />

However, when a neighbor is spotted <strong>in</strong> an alternative location, she may be more difficult<br />

to discern without <strong>the</strong> familiar context. A second example <strong>of</strong> <strong>the</strong> <strong>in</strong>fluence <strong>of</strong> context is<br />

<strong>the</strong> word superiority effect (Reicher, 1969; Wheeler, 1970). A target letter is identified<br />

more rapidly when primed with<strong>in</strong> a word than when primed <strong>in</strong>dependently. In this case,<br />

<strong>the</strong> context word prime allows humans to more quickly <strong>in</strong>terpret object letters when it is<br />

present. Without <strong>the</strong> primed word context, letters are less quickly identified.<br />

<strong>The</strong> use <strong>of</strong> familiar context is not <strong>the</strong> only way that knowledge can <strong>in</strong>fluence what<br />

humans visually perceive. Ano<strong>the</strong>r factor to consider is <strong>the</strong> schemata that humans have<br />

about particular spatial scenes. A schema is a pattern <strong>of</strong> knowledge that describes what is<br />

typical <strong>in</strong> a particular situation (Reisberg, 2001). We <strong>in</strong>terpret objects <strong>in</strong> scenes accord<strong>in</strong>g<br />

to <strong>the</strong> schema that we have about those scenes. For example, an <strong>of</strong>fice schema would<br />

specify that a desk and a chair would likely be present whereas a refrigerator and an oven<br />

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