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The Use of Iambic Pentameter in the

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would not be. It would be easier to identify a desk <strong>in</strong> an <strong>of</strong>fice than to identify a desk <strong>in</strong> a<br />

kitchen. This is because <strong>the</strong> desk seems to be a likely object that we would f<strong>in</strong>d <strong>in</strong> an<br />

<strong>of</strong>fice sett<strong>in</strong>g, accord<strong>in</strong>g to <strong>the</strong> schema that humans have about <strong>of</strong>fices.<br />

Sometimes <strong>the</strong> <strong>in</strong>fluence <strong>of</strong> top-down process<strong>in</strong>g can be so strong that we can<br />

actually mis<strong>in</strong>terpret bottom-up visual <strong>in</strong>formation. For example, <strong>in</strong> Figure 1, <strong>the</strong> middle<br />

letter <strong>of</strong> each word is <strong>in</strong>terpreted differently based on its context. <strong>The</strong> middle letter <strong>in</strong> first<br />

word is perceived as an ‘H’ because that is <strong>the</strong> letter we expect <strong>in</strong> <strong>the</strong> word most visually<br />

similar to it, ‘THE.’ However, <strong>the</strong> middle letter <strong>in</strong> <strong>the</strong> second word is perceived as an ‘A’<br />

because that is <strong>the</strong> letter we expect <strong>in</strong> <strong>the</strong> word most visually similar to it, ‘CAT.’ Both<br />

letters are actually <strong>the</strong> same size and shape and are nei<strong>the</strong>r an ‘A’ nor an ‘H.’ In this case,<br />

humans rely so much on <strong>the</strong> word context that <strong>the</strong> miss<strong>in</strong>g <strong>in</strong>formation is added by <strong>the</strong><br />

bra<strong>in</strong>. Similarly, humans may see objects <strong>in</strong> a scene that are not really <strong>the</strong>re because <strong>the</strong>se<br />

objects are part <strong>of</strong> <strong>the</strong> general schema for that scene (e.g., Intraub, Bender & Mangels,<br />

1992; Intraub & Richardson, 1989). For example, we may <strong>in</strong>terpret a large rectangular<br />

object <strong>in</strong> an <strong>of</strong>fice scene as a desk, even if it is really an oven, because we expect a desk<br />

to be present <strong>in</strong> an <strong>of</strong>fice.<br />

Figure 1. Illustration <strong>of</strong> context effects that affect letter <strong>in</strong>terpretation<br />

Note. Middle letters <strong>in</strong> each word are identical <strong>in</strong> shape and size. However, humans perceive an ‘H’ <strong>in</strong> first word and an<br />

‘A’ <strong>in</strong> second word due to expectations.<br />

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