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John Constable: Toward a Complete Chronology. - Reed College

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several pictures"; etc. (Farington XV, p. 5291; see also JCC II,<br />

p. 241 and JCC IV, p. 266)<br />

1818 Dec 1 Attends his first Artists' General Benevolent Institution<br />

(A.G.B.I.) meeting. (JC: FDC, p. 322)<br />

1818 Dec 3 Letter from Henry Greswolde Lewis at Greet in<br />

Worcestershire to J.C. in London: "the Figure of my Ancestor<br />

must rest with you in his Norman Coat and Armour." (JCC IV,<br />

p. 59)<br />

1818 Dec 7 Farington records: "<strong>Constable</strong> called. Dawe was with Him<br />

yesterday, being just arrived from Aix la Chapelle, where<br />

according to His own acct. He had been very successful,<br />

having painted many portraits, and was to go to Petersbergh<br />

where much employment awaited Him.—He sd. English Art<br />

had now gained a preference over French Art on the<br />

Continent. Dawe sd. that Sir Thos. Lawrence finished His<br />

pictures at Aix la Chapelle more lightly than He had been<br />

accustomed to." (Farington XV, pp. 5294-95; see also JCC II,<br />

p. 241)<br />

1818 Dec 16 Farington records: "<strong>Constable</strong> called & shewed me a list of His<br />

annual expences formed upon a Plan which I recommended to<br />

Him. It appeared that His annual expenditure might be<br />

reckoned at about £400"; etc. (Farington XV, pp. 5300-02;<br />

see also JCC II, p. 241)<br />

1818 Dec 18 Attends meeting of Directors of A.G.B.I. (JC: FDC, p. 322)<br />

1818 Dec 26 Dr. Rhudde draws up a new will, giving Maria equal shares with<br />

her brother and sisters. (JCC II, p. 242)<br />

1818 Portraits of Dr. Wingfield and Dr. Walker, both dated 1818.<br />

(JCC VI, p. 37; see also JCC IV, p. 311, JC: FDC, pp. 140,<br />

306, JCC I, p. 169 and JCC II, p. 237)<br />

1818 Letter from Dorothea Fisher in London to J.C. in London: "We<br />

all return you many thanks for the sight of the two portraits.<br />

. . . we all anticipate the satisfaction we shall have in the<br />

possession of an equally good portrait of the Bishop.—As we<br />

are not acquainted with the originals we cannot judge of the<br />

likeness but I am sure they must be like. . . . There is a

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