John Constable: Toward a Complete Chronology. - Reed College

1835 July 16 Drawing at Fittleworth. (JCC V, p. 25)
1835 July 18 Drawing of cathedral at Chichester. (JCC V, p. 25)
1835 July 19 Drawing at Arundel (JCC V, p. 25)
1835 July 20 Presumably on 20th July, J.C. takes daughter Maria to
Kingston to visit for a week. (JCC V, pp. 25, 187; see also
JCC VI, p. 271)
1835 July 22 Letter from J.C., probably in London, to Leslie in London: "I
did not visit Petworth 'till just as I was coming away [from
Arundel]." (JCC III, p. 127; see also JC: FDC, p. 231)
1835 July 27 Delicately tinted drawing of a bird done at Kingston. Placed
at the end of the sketchbook J.C. had used in Sussex,
inscribed "Done for and at the desire of Mina." (JCC V, p.
187)
1835 July 27 Two sketches of the house and grounds of Canbury Villa at
Kingston at the end of J.C.'s Sussex sketch-book. (JCC VI, p.
271; see also JCC III, p. 128)
1835 July 27 Goes to Kingston to bring daughter Maria home. (JCC VI, p.
271; see also JCC V, p. 25)
1835 July 30 Letter from J.C. in London to John Linnell in London in which
he trades his work for Linnell's book on Michelangelo. (JCC IV,
p. 295 and JC: FDC, p. 33)
1835 July Letter, mistakenly dated by Leslie 6th February 1836,
perhaps of February or more likely July, 1835, from J.C. in
London to William Purton: "I am glad you encourage me with
'Stoke'. What say you to a summer morning? July or August,
at eight or nine o'clock, after a slight shower during the
night, to enhance the dews in the shadowed part of the
picture, under 'Hedge row elms and hillocks green.' Then the
plough, cart, horse, gate, cows, donkey, &c are all good
paintable material for the foreground, and the size of the
canvas sufficient to try one's strength, and keep one at full
collar." (JCC V, p. 44)