John Constable: Toward a Complete Chronology. - Reed College

1821 July 14 Oil-sketch made at Hampstead. (JCC II, p. 269)
1821 July post-2 Applies for, and is given, the commission for the Manningtree
altarpiece. (JCC I, p. 202 and JCC II, p. 269)
1821 July 17 Letter from Martin L. Colnaghi in London to J.C. in London:
"do me the favor to paint a companion to my Picture by
Turner." (JCC IV, p. 153)
1821 July 18 Oil-sketch made at Hampstead. (JCC II, p. 269)
1821 July 19 Oil-sketch at Hampstead, inscribed Evening of Coronation, the
evening of 19 July. (JCC VI, p. 69 and JCC II, p. 269)
1821 July 19 Letter from John Fisher in Salisbury to J.C. in Hampstead:
"How does the hay wain look now that it has got into your
room again?" (JCC IV, pp. 69-70)
1821 July 26 Farington records: "I had company at dinner." Diagram of
seating arrangements shows Farington at the head of table,
with, clockwise to his left, Howard, Christmas, Christmas
Junr., Constable, S. Lane, Hilton, and Sir T. Lawrence.
(Farington XVI, pp. 5706-07; see also JCC II, p. 270)
1821 July J.C. "able to spend more time with his family at Hampstead."
(JCC I, p. 200)
1821 "A large number of cloud paintings done at Hampstead. . . ,
late summer inscribed with careful notes of the time and the direction of
the wind." (JCC VI, p. 75)
1821 Aug 3 Leaves London for Hampstead. (JCC II, p. 270)
1821 Aug Borrows two drawings by the younger Cozens from
before 4 Woodburn. (JCC IV, p. 166)
1821 Aug 4 Letter from J.C. in Hampstead to John Fisher in Salisbury: "I
have got a room at the glaziers down town as a workshop
where is my large picture—and at this little place I have
[sundry] small works going on. . . . I have done a good deal of
work here. . . . My large picture looks well in [my new drawing
rooms in Keppel Street] but I shall do more to it. . . . Sir
George Beaumont. . . has presented me with a beautifull little
landscape, a mill. . . It is a Rembrant. . . . There is some hope