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John Constable: Toward a Complete Chronology. - Reed College

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1813 Jan ca. 20 Returns to London from East Bergholt. (JCC II, p. 102; see<br />

also JCC I p. 87)<br />

1813 Jan 23 Letter from Maria in London to J.C. in London. (JCC II, p.<br />

103)<br />

1813 Jan 30 Farington records: "<strong>Constable</strong> called yesterday morning.<br />

Being much aquainted with Stothard He expressed surprise<br />

that so ingenious an Artist should be soley engrossed in<br />

imitating Rubens. Stothard, on the contrary, equally<br />

disapproved <strong>Constable</strong>'s choice of landscape in painting<br />

simple scenes, Mills &c." (Farington XII, p. 4291)<br />

1813 Jan 31 Letter from J.C.`s mother indicating J.C. has been prohibited<br />

from entering the Bicknell house. (JCC I, p. 88; see also JCC<br />

II, p. 103)<br />

1813 Jan 31 Letter from brother Abram in East Bergholt to J.C. in London.<br />

(JCC I, p. 89)<br />

1813 Feb 9 Letter from mother in East Bergholt to J.C. in London: "When<br />

the sun shines on Captain Western, we wish the artist was<br />

putting the finishing stroke to it. . . . I hear that it is in<br />

contemplation, for Mrs. Godfrey to sit to your art." (JCC I, pp.<br />

90-91)<br />

1813 Feb 13 Farington records: "<strong>Constable</strong> called." Discusses Mr. Barrow,<br />

Secretary to the Admiralty, and Mr. and Mrs. Allen,<br />

<strong>Constable</strong>'s aunt. (Farington XII, p. 4298)<br />

1813 Feb 17 Letter from sister Martha Whalley to J.C. in London: "[Ann<br />

Gubbins] tells me of having call'd upon you, & of your being<br />

engaged 'painting a most beautiful landscape'." (JCC I, p. 91)<br />

1813 Feb 19 Letter from Archdeacon Fisher at Charterhouse to J.C. in<br />

London. (JCD, p. 99)<br />

1813 Feb Painting on "his principal picture for the Academy exhibition,<br />

pre-22 Landscape: boys fishing." (JCC I, p. 92)<br />

1813 Feb 22 Letter from mother in East Bergholt to J.C. in London: "When<br />

you return to E.B., you will have the opportunity of<br />

conversing on the portrait at Old Hall. . . . I hope you will give

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