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John Constable: Toward a Complete Chronology. - Reed College

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1824 June 24 Letter, apparently written 24th June, from J.C. in London to<br />

Maria in Brighton, sent with journal installment: "<strong>John</strong>ny is<br />

getting on with Mr. Lewis's portrait the copy. . . . I must now<br />

finish for I have time myself to compleat Mr. A." (JCC II, pp.<br />

342-43; see also JCC IV, p. 68)<br />

1824 June 24 Journal entry from J.C. in London to Maria. (JCC II, p. 343)<br />

1824 June 25 Journal entry (taken from Leslie's transcript as original is<br />

missing) to Maria from J.C. in London: "[Bishop Fisher] had to<br />

tell me that he thought of my improving the picture of the<br />

Cathedral, and mentioned many things." (JCC II, p. 344; see<br />

also JCC V, p. 55 and JCC VI, p. 166)<br />

1824 June 25 Receives letter in London from sister Mary <strong>Constable</strong> in<br />

Suffolk. (JCC II, p. 343)<br />

1824 June 27 Journal entry from J.C. in London to Maria: "<strong>John</strong>ny and<br />

Holland went to the Bishop's & brought here the Cathedral to<br />

be varnished." (JCC II, p. 345; see also JCC I, p. 210)<br />

1824 June 28 Journal entry from J.C. in London to Maria: "Sir George<br />

Beaumont had sent me his tickets to the Institution this<br />

evening." (JCC II, pp. 345-46; see also JCC I, p. 211 and JCC<br />

IV, p. 136)<br />

1824 June 29 Journal entry from J.C. in London to Maria: "<strong>John</strong> went to the<br />

Bishop's with the frame & Miss F[isher]'s picture which I had<br />

retouched a little." (JCC II, p. 346; see also JCC IV, pp. 154,<br />

265)<br />

1824 June 30 Journal entry from J.C. in London to Maria: "Worked pretty<br />

hard on Mr. Lewis's portrait. . . . it was [Arrowsmith's] wish<br />

that the pictures should be in the exhibition of the Louvre, it<br />

was necessary that I (as the artist) should write to express<br />

my desire that they might be admitted if such was the<br />

opinion of the directors. . . . [Sir G. Beaumont] called to know<br />

if I would undertake a singular commission for him on behalf<br />

of the directors of the British Gallery. . . there is a lady who<br />

has devoted her pursuits to what she calls the Venetian<br />

secret of coloring. . . and has at length written. . . to desire<br />

that proper tryals may be made of it by some eminent

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